In These Times

February 2, 2017 By: Debra Rae Cohen

In These Times is a space for our community to explore issues of social justice, teaching, and research in uncertain times.

June 6, 2025 By: Harrington Weihl

In the weeks leading up to the 2024 Paris Olympics, coverage was dominated by a number of controversies stemming from the city’s efforts to stage the games: threats of strike from public and private sectors and an attack on rail lines grabbed headlines. But these preliminary and somewhat routine crises were eclipsed by furor over the opening ceremony, which included a runway show featuring drag performers and others staged in the style of a feast.

May 8, 2024 By: David R. Castillo

The deterioration of the information environment in our age of inflationary media has precipitated a crisis of reality: any sort of baseline for what we take to be “facts” no longer exists. Evidence-based information is routinely drowned in a media market that rewards the loudest and most strident voices at the expense of truth and the common good. The powerful AIs employed by social media giants like Facebook (now Meta), Twitter (now X), YouTube, and TikTok have been trained to generate the...

December 14, 2023 By: Rebecca Colesworthy

I have heard proclamations of feminism’s death many times over the years. Nevertheless, it came as a genuine surprise when I encountered it this past July, in an essay on “Sidecar,” the New Left Review blog, by NLR editor Caitlín Doherty. “A decade ago,” Doherty writes of feminism, “a generation of women—now in our late twenties and early thirties—claimed it as a primary political identity, but no longer.” Since then, Doherty argues, feminism has become not a politics so much as a style thanks...

September 13, 2023 By: Charles Andrews

Recently, while sifting through a long and detailed academic book contract, I found a list of items the publisher required me to exclude. A wonderful bullet point mandated that there be “no recipes or formulae or instructions” that “if followed accurately” would be “injurious to the user.” [1] I have enjoyed hearing friends’ reactions to this mandate, several of whom have asked: but, seriously, what is this referring to? Since contracts, much like syllabi, always have ground-rules based on...

June 29, 2023 By: Aimee Armande Wilson

We're all familiar with this scenario: a scholar spends years of her life dedicated to the pursuit of knowledge on a relatively narrow topic, and the reward for this dogged pursuit is the esteem of colleagues and mentions in specialist publications. Then, an event occurs that overlaps with the scholar’s area of expertise. This scholar’s topic now dominates the news cycle. Many would view this as cause for celebration, a chance to share their research with a broader audience. Our hypothetical...

February 16, 2023 By: Lesley Wheeler

I’m sometimes told by people who work outside of universities that being a teacher-writer-editor in an English Department sounds great, and occasionally it is. Yet lately everything “great” about academia sounds ominous: the Great Resignation, The Great Faculty Disengagement, The Great Pause after the Great Pivot. Resignation and disengagement are paradoxical side effects of the profession’s dependence on enthusiasm—employees so dedicated and diligent that they volunteer for unpaid labor. Women...

May 4, 2022 By: Gabriel Hankins

How should modernists think about the current invasion of Ukraine, and the underlying crisis of liberal order, if at all, and what does that have to do with the crisis in historical thinking and legitimation in literary studies more generally? My initial claim in the following is that what we already teach and write, in this centenary of the modernist Wunderjahr 1922, has everything to do with the sudden re-entry of geopolitics into view in 2022. The modernist masterpieces of 1919–1922 were formed and contested one hundred years ago in the matrix of a crisis of liberal order, a crisis that has now returned with only slightly different names, faces, and justifications. That we cannot quite recall this is not only a gap in our understanding of modernist geopolitics, but also a more fundamental failure of historicist reason and legitimation. If we are in fact living through the repetition of certain cyclical patterns of history, ideology, and liberal-imperial order that modernists themselves diagnosed, do we still have the commitment to historicist understanding required to read those problems accurately?

January 6, 2022 By: Laura Hartmann-Villalta

As a scholar of modernism and the Spanish Civil War, I have long been engaged with others’ ideas about engagement—both modernists and scholars of modernism—questioning the intersection of politics and art. As a scholar at the margins of the academy, I have sought to make sense of where my own work might fit, both into the world of scholarship and the wider world in which scholarship takes shape. Now, in my new position as Director of the Engaged and Public Humanities Master’s at Georgetown...

May 26, 2021 By: Samuel Cohen

I teach American literature in the public university system of Missouri, the state whose admission to the union as a slave state caused a national crisis, the state where Dred Scott was judged to have “ no rights the white man is bound to respect,” the state where Michael Brown’s murder turned Black Lives Matter from a hashtag into a movement. My state boasts that it is the birthplace of Rush Limbaugh, who did for talk radio what Rupert Murdoch did for cable news, as well as the place that...

April 22, 2021 By: Alice Kelly

In a striking moment in Joe Biden’s Inaugural Address in January 2021, the new head of state asked the nation to join him “in a moment of silent prayer to remember all those we lost this past year to the pandemic.” This was, he told the millions watching worldwide, his “first act as President.” It was a moment unprecedented in Inaugural Addresses. Biden, in both personally gracious and canny political terms, recognized the need for a moment of collective mourning and remembrance, a small act of commemoration as a necessary part of moving forward as a nation.

March 3, 2021 By: Jennie Lightweis-Goff

Is there any critical concept so abused in our political culture as “emotional labor,” a term seemingly used—like mansplain— to settle scores, to end conversation? Even now, I revise myself. Yes, “wave” language in feminism is more abused, and used to banish the radical histories that produced critique within feminism. Yes, intersectionality is conceptually abused, as a defense or elision of the conservative bona fides of women politicians from Hillary Clinton to Kamala Harris. This wandering away from context seems part of the whole: the rendering of feminism, and feminist language, as an affective and aesthetic position. A personal brand, even.

January 14, 2021 By: Janine Utell

This is about failure: my own failure to think forward, my own failure to see the future. Perhaps this piece can provide an opportunity to reflect on what can emerge from individual failures as well as our field’s reckoning with its wider failures: failure to grapple with racism and white supremacy, failure to support emerging scholars, failure to intervene meaningfully in the dismantling of the university as a site of serious thought and the generation of transformative ideas.

October 13, 2020 By: Cedric Van Dijck

By the time I moved to Cairo to research Forster’s years in Egypt, late in the summer of 2018, I was already familiar with his cabinet of lost artifacts and vanished statues.

May 21, 2020 By: Elizabeth Outka

For the past five years, I have been immersed in research on the 1918-1919 influenza pandemic and the unexpected ways it weaves its way into modernism. My book on the topic came out last October, about two months before a worrisome new illness began to emerge in Wuhan, China. [1] We all want our research to be relevant, to be able to articulate the critical “so what” question we struggle to answer in grant requests and cover letters. But the sudden thrust into an actual version of the sensory and affective climate I’ve been studying for so long has been surreal and unsettling, like a B movie where an author awakes to find her work has come to life. Even as we expose troubling elisions and injustices within the works we analyze, we may still use theory as a buffer between us and the world, and the past as a shield against our present realities. When a radio program recently approached me about an interview on Viral Modernism, they said that their listeners had been overwhelmed by COVID-19 coverage and would find it comforting to hear about a pandemic safely in the distance. I understood what they meant, even if patterns of viral and human behavior threaten to make the past the present.

April 8, 2020 By: Rebecca Colesworthy

Shortly after starting as an executive assistant in development at a nonprofit organization in 2012—my first nonacademic job following a three-year postdoctoral position—I joked to my new boss one night after everyone else had gone home that she should only hire former academics because we have no idea how not to work all the time. She laughed, as I guessed she would. Ever the court jester, I like to think I know my audience and I knew that, while not an academic herself, she could relate. We were there working late together and, from the start, I found that I could identify with the way she identified with her work.

January 30, 2020 By: Damien Keane

A couple of years ago, I published a book that worried the quantitative conception of information, by suggesting that “information” constituted a problem not because it lacked ways of being defined, but because it could be defined at once in so many competing and oftentimes contradictory ways. In the book, I was concerned specifically with radio broadcasting and the wartime literary field; but also, at a methodological level I was not entirely aware of until late in the composition process, with how forms of mediation and needs for remediation had created conditions in which the political charge of description and classification was suddenly, if also temporarily, to the fore. I tried to get at how this seemingly primary issue of definition is, in fact, the product of acts of and disputes about classification through which the “data of culture,” in Lisa Gitelman’s phrase, are put into meaningful sequences and mobilized, used, and managed—a in short, how they are put in formation. [1]

November 21, 2019 By: Anne Raine

When In These Times launched in early 2017, it gave voice to a collective sense of shock, a need to connect scholarship with activism and “engage, engage, engage.” Since then, contributors have offered a range of thoughtful reflections on how to study and teach modernism and modernity in these catastrophic times. But until recently the forum has been unsettlingly silent on the climate crisis—even as temperatures and sea levels continue to rise, record-breaking floods and wildfires proliferate, droughts threaten crops and ecosystems, glaciers continue to melt and coral reefs to bleach, and a million animal and plant species face extinction at heartbreakingly accelerated rates.

August 27, 2019 By: Thomas S. Davis

Austral summer on the Antarctic Peninsula. Eight of us climb out of our zodiac onto the shore of Petermann Island. This place dazzles and overwhelms the senses. The luminous blue icebergs, granite streaked pink with penguin guano, the weakly green cryoplankton spread across the snow. Antarctica is not the white continent of popular imagination. And it isn’t quiet either. The plangent groans of glaciers crawl across the landscape, reverberating through our bodies. Gentoo penguins squawk atop their stone nests, staring helplessly skyward at the skuas eying their young. We are unwelcome, unneeded guests.

April 29, 2019 By: Jonathan Goldman

“We are still learning to be Joyce's contemporaries,” intones Richard Ellmann, the first words of his James Joyce, published in 1959. [1] Sixty years later, Joyce’s most famous book (and second-hardest to read) has become a talking point and prop of two Democrat candidates in the race for the US presidential nomination. Ulysses, over a century since avant-garde magazines started publishing it serially, has been seen trending on Twitter. Have we, have the United States, caught up to Joyce?

March 10, 2019 By: Megan Faragher

When the cold January turned to an even colder February, I would have loved nothing more than to begin teaching Edward Bellamy’s Looking Backward as part of my class on twentieth-century utopian literature. But instead of going to class, I put on my wool socks, three layers of clothes, a winter coat, and snow boots to spend hours standing in the frigid Midwestern climes outside the main entrance of my university, sign in my hands, equal parts exasperation and anxiety in my heart. My colleagues and I were one week into what would end up being the longest faculty strike in the state of Ohio and the second-longest in the history of public higher education in the United States. As I prepared for the chill air and tear-inducing winds, I registered the ironic contrast between the day that was meant to be and the day that was. It turned out that the very question that had led me to formulate the utopian literature class—what possible value utopias can offer us in these troubled, uncertain, undoubtedly dystopian times—had become even more starkly personal than I could have ever imagined. Standing in the cold I recognized that if modernist utopian literature meant to push us towards radical changes that could counter an increasingly broken society, this current strike was going to force us to recognize what those changes might be. What, in fact, are our aspirational politics in higher education in these times and how, practically, do our actions push that agenda forward.

November 2, 2018 By: Patrick Deer

November 2018 not only sees the US midterm elections which will allow the American people to respond at the ballot box to the tumultuous and often exhaustingly toxic political environment during the Trump presidency. It also brings the less heralded and seemingly more distant centenary commemorations of the end of the First World War on November 11th, 1918. Yet another world historical milestone to be overshadowed by a relentless domestic news cycle dominated by a politics of distraction and fear that seems to harness racism, misogyny, economic inequality and outright violence to an unprecedented degree.

July 7, 2018 By: Lisa Mendelman

The information superhighway is paved with good intentions. This thought occurred to me earlier this summer, as I drove the Silicon Valley corridor of 101. “The first survivor of Alzheimer’s is out there,” one billboard declared. “Hello marijuana, goodbye anxiety,” announced a second (the company, Eaze, hand-delivers the substance, à la Instacart). “No data left behind,” avowed a third. Perhaps because I was headed to the ALA to deliver a paper on Edith Wharton’s satire of interwar scientific culture, Twilight Sleep, the third struck me as particularly ludicrous and problematic.

June 18, 2018 By: Séan Richardson

On a recent episode of the Modernist Podcast, I asked “What does precarity mean to you?” My inquiry came in the wake of the strike action that swept the UK in the early months of 2018, as academics became embroiled in an all too familiar fight to protect their working conditions by halting alterations that would see sweeping changes to pensions. I have returned to this question many times since and realized how flawed it is, for precarity is not an epistemological issue, but an ontological one.

January 31, 2018 By: Nick Fesette

Originally constructed in 1817, Auburn Correctional Facility in Upstate New York stands as the oldest continually functional maximum-security penitentiary in the United States. [1] I doubt that its designers would have predicted that 200 years later the US would come to incarcerate more people than any other country in history. We currently make up only 5% of the world’s population, but confine about 21% of its prisoners.

November 20, 2017 By: David Farley

Modernism has always been bound up for me with travel, with politics, and with protest. I got my first passport and traveled to what was then the Soviet Union in January of 1987. It was the dead of winter and the twilight of the Cold War when we visited Moscow, Leningrad, and the Central Asian Republic of Uzbekistan, where the calligraphic beauty of the Islamic design on the madrassahs in Samarkand echoed the ornate beauty of St Basil’s Cathedral back in Moscow. When I returned home, I read for the first time the Anglophone modernist writers whose obscure and difficult texts spoke to the shock of international travel that had resonated so strongly with me.

September 28, 2017 By: Julie Vandivere

As a scholar of early-twentieth-century literature, I have not found it necessary to address contemporary political issues in my work. However, the election of Donald Trump has forced me to change my thoughts about writing in general and more specifically, about publishing on modernist women writers. In the present academic climate, many who read and teach in the perpetually unpopular field of women writers also contend with heavy teaching loads, difficult family commitments and/or precarious employment.

July 4, 2017 By: Benjamin Tausig

No single word has signaled a repulsion toward Donald Trump—and the impulse to respond to him—like “resistance.” The term emerged immediately after the election, as soon as November 11th (The Advocate: “Count us as part of ‘the resistance’”), 10th (Charles Blow: “Count me among the resistance”), and 9th (Ben Jealous: “The resistance begins today”). One Facebook page, for a group called “Portland’s Resistance,” was launched on the 8th. This last one, presumably created to rechannel a late-night panic, captures something especially visceral. And indeed, it seems that no one ever announced that “resistance” would be the keyword of a new political mobilization. Hillary Clinton did not use the word in her concession speech. There was no massively viral John Oliver clip. Rather, the word seemed to lend itself so well to the coming crisis that, like certain scientific discoveries, it occurred to multiple people independently. Something in the water made its adoption logical.

March 2, 2017 By: Julie Beth Napolin

For the first time in 7 years, I am not teaching full-time. I’m on sabbatical. The morning after the election, there was no place I was supposed to be other than working on my book. I didn’t have to face a classroom and try to digest the election with students, nor did I have to convince them that our conversations were politically relevant. I didn’t have to get my kids off to school and move on with everyday life (I don’t have kids). It was like Johnny Rotten staring cross-eyed into the camera, “noooooo future.” It was just me.

February 10, 2017 By: Kate Macdonald

In January I was teaching speculative and science fiction from the modernist period to show my students how fascism emerges, and how to recognise the ways that literary strategies can instil alienation, fear of the Other, and anti-Semitism and racism. My students were German, and our seminars were held in the north-west German university town of Paderborn, a little east of the Ruhr, where a British Army base

February 7, 2017 By: Melissa Dinsman

In his insightful contribution to “In These Times,” James Gifford takes inspiration from Woolf to state that on or about November 2016 something fundamentally changed (or rather should fundamentally change) in our teaching of modernist studies. That the election marks a shifting moment in the ways in which we, as pedagogues, approach modern literature is a thought-provoking claim

February 3, 2017 By: James Gifford

On November 9th, 2016, I was teaching my last class on Hemingway’s in our time. I had only one North American student in the room, and everyone was silent. It was silence of a kind that my neighbourhood, even deep in the night, never finds.
Print Plus Exclusive

Keyword: Pacification

January 30, 2020 By: Damien Keane

Volume 4 Cycle 4

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Front cover of Nancy Cunard, L’Ethiopie trahie (1936).
Fig. 1. Front cover of Nancy Cunard, L’Ethiopie trahie (1936). Photo courtesy of the Poetry Collection of the University Libraries, University at Buffalo, The State University of New York.

A couple of years ago, I published a book that worried the quantitative conception of information, by suggesting that “information” constituted a problem not because it lacked ways of being defined, but because it could be defined at once in so many competing and oftentimes contradictory ways. In the book, I was concerned specifically with radio broadcasting and the wartime literary field; but also, at a methodological level I was not entirely aware of until late in the composition process, with how forms of mediation and needs for remediation had created conditions in which the political charge of description and classification was suddenly, if also temporarily, to the fore. I tried to get at how this seemingly primary issue of definition is, in fact, the product of acts of and disputes about classification through which the “data of culture,” in Lisa Gitelman’s phrase, are put into meaningful sequences and mobilized, used, and managed—a in short, how they are put in formation.[1]

Coming out of that work, I keep returning to questions of classification. In our world of marketing influencers and robust metrics and deep-diving analytics gurus, the work of classification could not be more pertinent, even as it so often is obscured and banished from consideration or critique. For this reason, the relationship of libraries, information, and propaganda is one of increasingly pressing concern. This sense of things is not entirely a matter of knowing where to go and what to look for, but rather a misgiving about how protocols of sorting and the connections that derive from them enable all kinds and manner of communication. Where Raymond Williams could write powerfully and with acuity on “Means of Communication as Means of Production,” I find myself more often at the other end of the so-called knowledge economy, at what feels like the mouth of a sewer pipe, wondering about means of reception: their forms and modes, but also their structuring institutions and channels.[2] Williams had succinctly framed this issue earlier in his career in the book Communications:

I mean by communications the institutions and forms in which ideas, information, and attitudes are transmitted and received. I mean by communication the process of transmission and reception. . . . The emphasis on communications asserts, as a matter of experience, that men and societies are not confined to relationships of power, property, and production. Their relationships in describing, learning, persuading, and exchanging experiences are seen as equally fundamental.”[3]

In this regard, the library might stand as an exemplary place, an institution of specialization dedicated to sponsoring novel intellectual formations, which are nevertheless not obliged or expected to reproduce that specialization or the interests to which it gives rise. In what follows, then, I would like to refine what this means in something of a bleaker key, by looking at a case study of euphemism and knowledge production. I will touch on a number of relations that, on their face, are quite familiar from, almost mainstays of, the field of modernist studies, in both its conventional (or “old”) and “new modernist” guises: questions of autonomy and intervention, of translation and untranslatability, of the relationship of coterie or vanguard groups to an audience or reception community. In writing on the “keyword,” Williams had noted that the “problems of its meanings seemed to be inextricably bound with the problems it was being used to discuss.”[4] What I would like to suggest here is that the library functions as an institution critical to checking the process through which such “problems” are euphemized out of our communicative interactions. That said, the library will appear only toward the end of the piece.

Change Agents

It begins, however, at the Washington offices of the RAND Corporation, where a four-day symposium on counterinsurgency was held in April 1962. Organized under the auspices of the Advanced Research Projects Agency (ARPA), the symposium brought together a group of practitioner-theorists of what would come to be known as counterinsurgency doctrine in order to share tactics for confronting revolutionary and anti-colonial struggles. In the introduction to the proceedings RAND published the following year, the point of the gathering is couched unmistakably in terms of practical application:

The basic rationale in undertaking the Symposium was that, rather than approach the problems of guerrilla and counterguerrilla warfare theoretically and academically, it might be useful to draw on the knowledge of men of recent and direct experience in counterinsurgency, with a view to assembling a large body of detailed information and judgment on the multifarious aspects of this inadequately explored form of conflict. It was hoped that such a pragmatic approach would not only provide fruitful insights into earlier struggles but would, above all, yield valuable lessons for the future.[5]

The list of symposium participants reads like a “who’s who”—or rogues’ gallery—of counterinsurgency strategists, among them: Edward Lansdale, the American claimed as the model for both Pyle in The Quiet American (likely erroneous) and Colonel Hillandale in The Ugly American (likely not); Frank Kitson, who served in almost every British counterinsurgency campaign from Kenya to Belfast and whose writings emphasize the central role of intelligence gathering and manipulation in all “hearts and minds” operations; and David Galula, whose career in the French Army is all but synonymous with pacification, as I will shortly relate.[6] This was an international group, whose martial experience stretched across several continents and theaters of operation. Still, when looking back from the late 1970s at this landmark gathering, Kitson could write:

When I arrived the symposium had already been in progress for several days and the conference room was full of an extraordinary variety of people. . . . Although we came from such widely divergent backgrounds, it was as if we had all been brought up together from youth. We all spoke the same language. Probably all of us had worked out theories of counter-insurgency procedures at one time or another which we thought were unique and original. But when we came to air them, all our ideas were essentially the same.[7]

The published proceedings—which take the form of a paraphrased transcription of their discussions—do not affirm this feeling in every detail, yet the military, judicial, and political record of the years since the symposium grimly bears out this remarkable sense of validation.

Although the use of “pacification” had a long history in military planning and statecraft, its full canonization as a euphemism for a method of popular coercion was achieved at the RAND Corporation. The think tank had been founded as the Air Force’s principal advisory organization in 1946, when it was charged with research and development (hence RAND) of technological improvements and innovations for the defense sector. The corporation’s work remained within its initial purview to study intercontinental warfare, yet it benefitted from an ever-widening definition of national security. In this advisory capacity, RAND was one of the “idea brokers,” the role in which it became the paradigmatic instantiation of the military-industrial complex and an essential part of what C. Wright Mills named “the power elite.”[8] While many of its first staff members were mathematicians and engineers working to produce operational knowledge (such as missile guidance systems), the corporation was soon bringing in economists and social scientists to augment this work with studies of morale, motivation, cultural attitudes, and the specifically political quality of limited or asymmetrical warfare. This political basis for insurgency necessitated what was explicitly recognized as the “interdisciplinary character” of the research being done into forms of armed conflict other than total war. This shift to systems analysis from operations research allowed RAND to position its mandate as less bound to external exigencies and therefore distinct from the applied social science research being done at major American universities.[9] Like other postwar think tanks, RAND was in fact often thought of as a “university without students,” an institution whose members were freed from instructional service and could therefore pursue “pure” research. In this way, its research mission enabled the agency to disavow but in no way abandon “applied” forms of knowledge, and as such to remain “close to yet somewhat aloof from the centers of power” (Smith, The RAND Corporation, 299).

In other words, the corporation could simultaneously assert its pragmatic functionality and its analytic autonomy, its current relevance and its innovative vision. One marker of this posture as a “change agent” can indeed be seen in how and to whom RAND distributed its many publications (302). One set of them remained classified and directly bound to the national security state, while the other, larger set was distributed to the public. And while RAND posed as an institutional rival to both university and library in its “brokering” function, and was a powerful claimant to authority over communications in its own right, it also relied on universities and specifically on libraries in a fundamental and “infrastructural” manner, since it had arranged for all its nonclassified works to be held at depository libraries throughout the country.[10]

Usage and Euphemism

Fig. 2. Cunard’s inscription to the Lockwood Memorial Library at Buffalo on the inside cover of L’Ethiopie trahie. Photo courtesy of the Poetry Collection of the University Libraries, University at Buffalo, The State University of New York.

It was a classified RAND report that effected the full movement of “pacification” as an English word to the ranks of euphemism: this was Galula’s Pacification in Algeria, which was first published in 1963.[11] Billed as a “memorandum,” this 324-page text details his experience as a captain in the French Army during the middle years of the Algerian revolution, when his superiors had ordered him to “pacify” an area of the Kabyle region, but offered no directives on what exactly this order entailed. Caught between the “warriors” (or those who advocate for unsparing physical domination and whom the military system awards with medals) and the “psychologists” (or those who favor propagandistic and psychological operations and who hold a monopoly on Army journals), Galula holds to the middle, ultimately distilling what he learns of imposing and enforcing law and order to one phrase: “the objective is the population” (xxiv). This end is to be achieved by purging areas of insurgents, controlling space and monitoring its inhabitants, collecting as much low-grade intelligence as possible, selecting local leadership partners, and engaging in “civic actions,” such as running medical clinics, schools, and “programs of information.” This armed social work is “pacification.” And while he recognizes this form of warfare as political by definition, he shows little interest in what drives insurgency and finds civilian officials and rear-echelon commanders (as well as the “left-wing” press) to be all but contemptible for their misunderstanding of regimental experience.

Surely some of why Galula could so flagrantly dismiss his superiors is that Pacification in Algeria was “born English” and would not be translated into French until 2008. (Galula’s Counter-Insurgency Warfare, the shorter, abstracted trade publication counterpart to the RAND memorandum, was also written in English and appeared in 1964.[12]) For this reason, his work has been much more influential in the Anglophone (and especially American) sphere of counter-insurgency doctrine than in the French context. This composition and reception history demonstrates how the already euphemized sense of the French pacification is carried over into Galula’s English-language work, which the RAND imprimatur in turn sanctioned and institutionalized. This is not to say that the euphemism had not existed in English: for example, Orwell mentions “pacification” in “Politics and the English Language” (1946); Chinua Achebe ends Things Fall Apart (1958) with the District Commissioner sketching the outline of a work titled The Pacification of the Primitive Tribes of the Lower Niger; and everyone at the RAND symposium was familiar enough with the usage to employ it occasionally in the course of those four days in April 1962. But Galula’s RAND memorandum canonizes the usage in a doctrine, a set of texts, and a sense of belief.

Why is this important? Although “pacification” in English had been discredited and lost face in Vietnam, Galula’s work assumed fresh “relevance” during the American-led counterinsurgency campaigns in Afghanistan and Iraq that began in the first decade of this century. With renewed dedication among planners to the techniques described in the memorandum—a point perhaps most evident in Galula’s strategic centrality to the US Army Field Manual 3-24, Counterinsurgency (2006)—RAND released the work in a version freely available online, forty-three years after its composition. It seems clear that part of the rationale behind its declassification and republication was to insist that “pacification” had not been wrong, but only misapplied.

Counter-Usage and Communication

To conclude, I would like to turn back to two counter-usages of “pacification” from the more properly modernist period, both found in examples of Nancy Cunard’s activist work in the 1930s now held at the Poetry Collection of the University Libraries at SUNY-Buffalo. This return to the modernist scene necessarily entails coming back to the library and its social function as a potential check on the euphemisms of coercive authority. The first counter-usage comes from Negro: An Anthology, where Samuel Beckett’s translation of the Surrealist Group’s polemic he calls “Murderous Humanitarianism” provides a scathing rebuke of colonial violence and imperial rhetoric. Among other things, the title is itself a de-euphemization of “pacification,” one that denounces from within the ambit of the French political field a practice of domination honed during the 1910s and 1920s in Morocco. Here, the colonial state could rely on the mass dissemination of a kind of language that replaced the largely Christian idiom of salvation with what Beckett renders as “counterfeit liberalism.” It is a form of demagoguery that frames active decisions as desired but also necessary outcomes, as compassion and assistance serve as cover for organized brutality: “With his psalms, his speeches, his guarantees of liberty, equality, and fraternity, [the colonial official] seeks to drown out the noise of his machine guns.” In the piece, this point is most forcefully made when he makes bitterly literal what is at once an actual practice and its rhetorical disavowal: “War, that reliable colonial epidemic, receives fresh impulse in the name of ‘pacification.’”[13]

In light of subsequent history, Beckett’s transposition into English of this French euphemism is all the more poignant because the French source-text of “Murderous Humanitarianism” is now lost, thus leaving the Surrealists’ furious rejoinder available only in this English rendering. In its way, Beckett’s translation or transposition aligns with Cunard’s activist intentions in curating the anthology, which was meant adamantly to refuse to reproduce dominant categories of value in the face of other modes of creating and classifying intellectual, social, and political authority.

The second counter-usage comes in a form that is both ephemeral and unique, but is itself a negative instance of usage: indeed, the euphemism is not used at all. As something of an appendix to the Negro anthology, Cunard privately printed and published a booklet in the summer of 1936 called L’Ethiopie trahie: unité contre l’impérialisme (Ethiopia Betrayed: United Against Imperialism).[14] With its yellow paper cover, this small folio of sixteen pages collects her dispatches from the final session of the General Assembly of the League of Nations, when its delegates listened to Haile Selassie deliver his famous appeal for aid, but then acquiesced to the Italian invasion of the African nation. Details and incidents in the booklet accord with those in Cunard’s reporting from Geneva for the Associated Negro Press, the black American news service that operated until 1964, with one significant difference: her reports were written in English, while the text of the booklet, as its title indicates, is in French. Cunard would later translate and auto-translate during World War II, and it stands to reason that the booklet is an earlier example of the latter practice. Given what she is reporting on and her unabashedly partisan intent in doing so, what strikes me in the present context is that the word pacification never appears in her French text, for she instead names the events happening in Ethiopia for what they are.

Perhaps as important, however, is the particular copy in Buffalo. WorldCat lists only a handful of copies held in libraries today, but the item in Buffalo is also unique. When Charles Abbott, the director of the University Libraries and founding curator of the Poetry Collection, first solicited authors in the mid-1930s to send their worksheets and wastepaper to him in order to establish the collection, Cunard was an extremely enthusiastic respondent, as Jeremy Braddock has eloquently documented.[15] This booklet was among the items she dispatched to Buffalo. Although such material was not necessarily what he had asked for, the booklet became part of the library’s collection. From the handwritten inscription on the inside cover, Cunard nonetheless seemed to have anticipated its accession: “To the Lockwood Memorial Library / University of Buffalo / Wishing it the maximum / of success in its pursuit / of learning, / and of its gift / to humanity / Nancy Cunard / 1937.” Having sought to foster alternative norms of understanding, communication, and use in her own work, Cunard here recognizes a kindred worker, less in Abbott than in the subject of her dedication: the library itself. For as her inscription makes plain, and as the booklet’s presence in the Poetry Collection literalizes, this institution did not validate and enforce the separation of valued forms of knowledge production from those that are devalued, undervalued, or decreed to be altogether without value or application. For us today, reading her inscription serves as an enjoinder: in order to defend this pursuit of learning from pacification, we must first defend the institution.


Notes

[1] Damien Keane, Ireland and the Problem of Information: Irish Writing, Radio, Late Modernist Communication. (University Park, PA: Pennsylvania State University Press, 2014); Lisa Gitelman, Always Already New: Media, History, and the Data of Culture (Cambridge, MA: MIT Press, 2006).

[2] Raymond Williams, “Means of Communication as Means of Production,” in Problems of Materialism and Culture (London: Verso, 1980), 50–63.

[3] Raymond Williams, Communications, rev. ed. (London: Chatto and Windus, 1966), 17, 18.

[4] Raymond Williams, Keywords: A Vocabulary of Culture and Society, rev. ed. (London: Fontana, 1983), 15.

[5] Stephen T. Hosmer and Sibylle O. Crane, Counterinsurgency: A Symposium, April 16–20, 1962, (1963; Santa Monica, CA: RAND Corporation, 2006), vii.

[6] Laleh Khalili describes the participants as a “who’s who” in  Time in the Shadows: Confinement in Counterinsurgency (Stanford, CA: Stanford University Press, 2013), 33. For Lansdale, see David Halberstam, The Best and the Brightest (1972; New York: Penguin, 1983), 155–56; for Kitson, see Frank Kitson, Low Intensity Operations: Subversion, Insurgency, Peacekeeping (London: Faber and Faber, 1971); for Galula, see Armand Mattelart, The Globalization of Surveillance, translated by Susan Taponier and James A. Cohen (Cambridge: Polity Press, 2010), 79–97. In addition, see Ann Marlowe, David Galula: His Life and Intellectual Context (Carlisle, PA: Strategic Studies Institute, US Army War College, 2010).

[7] Frank Kitson, Bunch of Five (London: Faber and Faber, 1977), 200. This passage is quoted approvingly in the forward to the republished version of Counterinsurgency: A Symposium.

[8] C. Wright Mills, The Power Elite (1956; New York: Oxford University Press, 1959). On postwar think tanks, I have drawn on Paul Dickson, Think Tanks (New York: Atheneum, 1971); R. Kent Weaver, “The Changing World of Think Tanks,” PS: Political Science and Politics 22, no. 3 (1989): 563–78; James Allen Smith, The Idea Brokers: Think Tanks and the Rise of the New Policy Elite (New York: Free Press, 1991); and Andrew Rich, Think Tanks, Public Policy, and the Politics of Expertise (New York: Cambridge University Press, 2004).

[9] Bruce L. R. Smith, The RAND Corporation: Case Study of a Nonprofit Advisory Corporation (Cambridge, MA: Harvard University Press, 1966), 13.

[10] “For reasons of security, many of RAND’s publications are classified. They go to the military services, to other federal agencies, to industry, and to members of the scientific community with a need-to-know. But a much wider distribution is given to unclassified writings—which compose more than half of the total—through publication in learned journals, through commercially published books, and through limited free distribution of RAND reports. The last category of distribution is achieved largely through deposit libraries—42 in the United States and 7 in foreign countries—each of which has about 2000 RAND publications. Some 800 libraries have RAND’s 850-page Index of Selected Publications, which lists unclassified items; and they may borrow publications from the deposit libraries.” The RAND Corporation: The First Fifteen Years (Santa Monica, CA: RAND Corporation, 1963), 32. 

[11] David Galula, Pacification in Algeria, 1956–1958 (1963; Santa Monica, CA: RAND Corporation, 2006).

[12] David Galula, Counterinsurgency Warfare: Theory and Practice (New York: Praeger, 1964).

[13] Surrealist Group in Paris, “Murderous Humanitarianism,” trans. Samuel Beckett, in Nancy Cunard, ed., Negro: An Anthology (London: Wishart, 1934), 574–75.

[14] Nancy Cunard, L’Ethiopie trahie: unité contre l’impérialisme (Paris: privately published, 1936).

[15] Jeremy Braddock, Collecting as Modernist Practice (Baltimore, MD: Johns Hopkins University Press, 2012), 226–28.