In These Times

February 2, 2017 By: Debra Rae Cohen

In These Times is a space for our community to explore issues of social justice, teaching, and research in uncertain times.

June 6, 2025 By: Harrington Weihl

In the weeks leading up to the 2024 Paris Olympics, coverage was dominated by a number of controversies stemming from the city’s efforts to stage the games: threats of strike from public and private sectors and an attack on rail lines grabbed headlines. But these preliminary and somewhat routine crises were eclipsed by furor over the opening ceremony, which included a runway show featuring drag performers and others staged in the style of a feast.

May 8, 2024 By: David R. Castillo

The deterioration of the information environment in our age of inflationary media has precipitated a crisis of reality: any sort of baseline for what we take to be “facts” no longer exists. Evidence-based information is routinely drowned in a media market that rewards the loudest and most strident voices at the expense of truth and the common good. The powerful AIs employed by social media giants like Facebook (now Meta), Twitter (now X), YouTube, and TikTok have been trained to generate the...

December 14, 2023 By: Rebecca Colesworthy

I have heard proclamations of feminism’s death many times over the years. Nevertheless, it came as a genuine surprise when I encountered it this past July, in an essay on “Sidecar,” the New Left Review blog, by NLR editor Caitlín Doherty. “A decade ago,” Doherty writes of feminism, “a generation of women—now in our late twenties and early thirties—claimed it as a primary political identity, but no longer.” Since then, Doherty argues, feminism has become not a politics so much as a style thanks...

September 13, 2023 By: Charles Andrews

Recently, while sifting through a long and detailed academic book contract, I found a list of items the publisher required me to exclude. A wonderful bullet point mandated that there be “no recipes or formulae or instructions” that “if followed accurately” would be “injurious to the user.” [1] I have enjoyed hearing friends’ reactions to this mandate, several of whom have asked: but, seriously, what is this referring to? Since contracts, much like syllabi, always have ground-rules based on...

June 29, 2023 By: Aimee Armande Wilson

We're all familiar with this scenario: a scholar spends years of her life dedicated to the pursuit of knowledge on a relatively narrow topic, and the reward for this dogged pursuit is the esteem of colleagues and mentions in specialist publications. Then, an event occurs that overlaps with the scholar’s area of expertise. This scholar’s topic now dominates the news cycle. Many would view this as cause for celebration, a chance to share their research with a broader audience. Our hypothetical...

February 16, 2023 By: Lesley Wheeler

I’m sometimes told by people who work outside of universities that being a teacher-writer-editor in an English Department sounds great, and occasionally it is. Yet lately everything “great” about academia sounds ominous: the Great Resignation, The Great Faculty Disengagement, The Great Pause after the Great Pivot. Resignation and disengagement are paradoxical side effects of the profession’s dependence on enthusiasm—employees so dedicated and diligent that they volunteer for unpaid labor. Women...

May 4, 2022 By: Gabriel Hankins

How should modernists think about the current invasion of Ukraine, and the underlying crisis of liberal order, if at all, and what does that have to do with the crisis in historical thinking and legitimation in literary studies more generally? My initial claim in the following is that what we already teach and write, in this centenary of the modernist Wunderjahr 1922, has everything to do with the sudden re-entry of geopolitics into view in 2022. The modernist masterpieces of 1919–1922 were formed and contested one hundred years ago in the matrix of a crisis of liberal order, a crisis that has now returned with only slightly different names, faces, and justifications. That we cannot quite recall this is not only a gap in our understanding of modernist geopolitics, but also a more fundamental failure of historicist reason and legitimation. If we are in fact living through the repetition of certain cyclical patterns of history, ideology, and liberal-imperial order that modernists themselves diagnosed, do we still have the commitment to historicist understanding required to read those problems accurately?

January 6, 2022 By: Laura Hartmann-Villalta

As a scholar of modernism and the Spanish Civil War, I have long been engaged with others’ ideas about engagement—both modernists and scholars of modernism—questioning the intersection of politics and art. As a scholar at the margins of the academy, I have sought to make sense of where my own work might fit, both into the world of scholarship and the wider world in which scholarship takes shape. Now, in my new position as Director of the Engaged and Public Humanities Master’s at Georgetown...

May 26, 2021 By: Samuel Cohen

I teach American literature in the public university system of Missouri, the state whose admission to the union as a slave state caused a national crisis, the state where Dred Scott was judged to have “ no rights the white man is bound to respect,” the state where Michael Brown’s murder turned Black Lives Matter from a hashtag into a movement. My state boasts that it is the birthplace of Rush Limbaugh, who did for talk radio what Rupert Murdoch did for cable news, as well as the place that...

April 22, 2021 By: Alice Kelly

In a striking moment in Joe Biden’s Inaugural Address in January 2021, the new head of state asked the nation to join him “in a moment of silent prayer to remember all those we lost this past year to the pandemic.” This was, he told the millions watching worldwide, his “first act as President.” It was a moment unprecedented in Inaugural Addresses. Biden, in both personally gracious and canny political terms, recognized the need for a moment of collective mourning and remembrance, a small act of commemoration as a necessary part of moving forward as a nation.

March 3, 2021 By: Jennie Lightweis-Goff

Is there any critical concept so abused in our political culture as “emotional labor,” a term seemingly used—like mansplain— to settle scores, to end conversation? Even now, I revise myself. Yes, “wave” language in feminism is more abused, and used to banish the radical histories that produced critique within feminism. Yes, intersectionality is conceptually abused, as a defense or elision of the conservative bona fides of women politicians from Hillary Clinton to Kamala Harris. This wandering away from context seems part of the whole: the rendering of feminism, and feminist language, as an affective and aesthetic position. A personal brand, even.

January 14, 2021 By: Janine Utell

This is about failure: my own failure to think forward, my own failure to see the future. Perhaps this piece can provide an opportunity to reflect on what can emerge from individual failures as well as our field’s reckoning with its wider failures: failure to grapple with racism and white supremacy, failure to support emerging scholars, failure to intervene meaningfully in the dismantling of the university as a site of serious thought and the generation of transformative ideas.

October 13, 2020 By: Cedric Van Dijck

By the time I moved to Cairo to research Forster’s years in Egypt, late in the summer of 2018, I was already familiar with his cabinet of lost artifacts and vanished statues.

May 21, 2020 By: Elizabeth Outka

For the past five years, I have been immersed in research on the 1918-1919 influenza pandemic and the unexpected ways it weaves its way into modernism. My book on the topic came out last October, about two months before a worrisome new illness began to emerge in Wuhan, China. [1] We all want our research to be relevant, to be able to articulate the critical “so what” question we struggle to answer in grant requests and cover letters. But the sudden thrust into an actual version of the sensory and affective climate I’ve been studying for so long has been surreal and unsettling, like a B movie where an author awakes to find her work has come to life. Even as we expose troubling elisions and injustices within the works we analyze, we may still use theory as a buffer between us and the world, and the past as a shield against our present realities. When a radio program recently approached me about an interview on Viral Modernism, they said that their listeners had been overwhelmed by COVID-19 coverage and would find it comforting to hear about a pandemic safely in the distance. I understood what they meant, even if patterns of viral and human behavior threaten to make the past the present.

April 8, 2020 By: Rebecca Colesworthy

Shortly after starting as an executive assistant in development at a nonprofit organization in 2012—my first nonacademic job following a three-year postdoctoral position—I joked to my new boss one night after everyone else had gone home that she should only hire former academics because we have no idea how not to work all the time. She laughed, as I guessed she would. Ever the court jester, I like to think I know my audience and I knew that, while not an academic herself, she could relate. We were there working late together and, from the start, I found that I could identify with the way she identified with her work.

January 30, 2020 By: Damien Keane

A couple of years ago, I published a book that worried the quantitative conception of information, by suggesting that “information” constituted a problem not because it lacked ways of being defined, but because it could be defined at once in so many competing and oftentimes contradictory ways. In the book, I was concerned specifically with radio broadcasting and the wartime literary field; but also, at a methodological level I was not entirely aware of until late in the composition process, with how forms of mediation and needs for remediation had created conditions in which the political charge of description and classification was suddenly, if also temporarily, to the fore. I tried to get at how this seemingly primary issue of definition is, in fact, the product of acts of and disputes about classification through which the “data of culture,” in Lisa Gitelman’s phrase, are put into meaningful sequences and mobilized, used, and managed—a in short, how they are put in formation. [1]

November 21, 2019 By: Anne Raine

When In These Times launched in early 2017, it gave voice to a collective sense of shock, a need to connect scholarship with activism and “engage, engage, engage.” Since then, contributors have offered a range of thoughtful reflections on how to study and teach modernism and modernity in these catastrophic times. But until recently the forum has been unsettlingly silent on the climate crisis—even as temperatures and sea levels continue to rise, record-breaking floods and wildfires proliferate, droughts threaten crops and ecosystems, glaciers continue to melt and coral reefs to bleach, and a million animal and plant species face extinction at heartbreakingly accelerated rates.

August 27, 2019 By: Thomas S. Davis

Austral summer on the Antarctic Peninsula. Eight of us climb out of our zodiac onto the shore of Petermann Island. This place dazzles and overwhelms the senses. The luminous blue icebergs, granite streaked pink with penguin guano, the weakly green cryoplankton spread across the snow. Antarctica is not the white continent of popular imagination. And it isn’t quiet either. The plangent groans of glaciers crawl across the landscape, reverberating through our bodies. Gentoo penguins squawk atop their stone nests, staring helplessly skyward at the skuas eying their young. We are unwelcome, unneeded guests.

April 29, 2019 By: Jonathan Goldman

“We are still learning to be Joyce's contemporaries,” intones Richard Ellmann, the first words of his James Joyce, published in 1959. [1] Sixty years later, Joyce’s most famous book (and second-hardest to read) has become a talking point and prop of two Democrat candidates in the race for the US presidential nomination. Ulysses, over a century since avant-garde magazines started publishing it serially, has been seen trending on Twitter. Have we, have the United States, caught up to Joyce?

March 10, 2019 By: Megan Faragher

When the cold January turned to an even colder February, I would have loved nothing more than to begin teaching Edward Bellamy’s Looking Backward as part of my class on twentieth-century utopian literature. But instead of going to class, I put on my wool socks, three layers of clothes, a winter coat, and snow boots to spend hours standing in the frigid Midwestern climes outside the main entrance of my university, sign in my hands, equal parts exasperation and anxiety in my heart. My colleagues and I were one week into what would end up being the longest faculty strike in the state of Ohio and the second-longest in the history of public higher education in the United States. As I prepared for the chill air and tear-inducing winds, I registered the ironic contrast between the day that was meant to be and the day that was. It turned out that the very question that had led me to formulate the utopian literature class—what possible value utopias can offer us in these troubled, uncertain, undoubtedly dystopian times—had become even more starkly personal than I could have ever imagined. Standing in the cold I recognized that if modernist utopian literature meant to push us towards radical changes that could counter an increasingly broken society, this current strike was going to force us to recognize what those changes might be. What, in fact, are our aspirational politics in higher education in these times and how, practically, do our actions push that agenda forward.

November 2, 2018 By: Patrick Deer

November 2018 not only sees the US midterm elections which will allow the American people to respond at the ballot box to the tumultuous and often exhaustingly toxic political environment during the Trump presidency. It also brings the less heralded and seemingly more distant centenary commemorations of the end of the First World War on November 11th, 1918. Yet another world historical milestone to be overshadowed by a relentless domestic news cycle dominated by a politics of distraction and fear that seems to harness racism, misogyny, economic inequality and outright violence to an unprecedented degree.

July 7, 2018 By: Lisa Mendelman

The information superhighway is paved with good intentions. This thought occurred to me earlier this summer, as I drove the Silicon Valley corridor of 101. “The first survivor of Alzheimer’s is out there,” one billboard declared. “Hello marijuana, goodbye anxiety,” announced a second (the company, Eaze, hand-delivers the substance, à la Instacart). “No data left behind,” avowed a third. Perhaps because I was headed to the ALA to deliver a paper on Edith Wharton’s satire of interwar scientific culture, Twilight Sleep, the third struck me as particularly ludicrous and problematic.

June 18, 2018 By: Séan Richardson

On a recent episode of the Modernist Podcast, I asked “What does precarity mean to you?” My inquiry came in the wake of the strike action that swept the UK in the early months of 2018, as academics became embroiled in an all too familiar fight to protect their working conditions by halting alterations that would see sweeping changes to pensions. I have returned to this question many times since and realized how flawed it is, for precarity is not an epistemological issue, but an ontological one.

January 31, 2018 By: Nick Fesette

Originally constructed in 1817, Auburn Correctional Facility in Upstate New York stands as the oldest continually functional maximum-security penitentiary in the United States. [1] I doubt that its designers would have predicted that 200 years later the US would come to incarcerate more people than any other country in history. We currently make up only 5% of the world’s population, but confine about 21% of its prisoners.

November 20, 2017 By: David Farley

Modernism has always been bound up for me with travel, with politics, and with protest. I got my first passport and traveled to what was then the Soviet Union in January of 1987. It was the dead of winter and the twilight of the Cold War when we visited Moscow, Leningrad, and the Central Asian Republic of Uzbekistan, where the calligraphic beauty of the Islamic design on the madrassahs in Samarkand echoed the ornate beauty of St Basil’s Cathedral back in Moscow. When I returned home, I read for the first time the Anglophone modernist writers whose obscure and difficult texts spoke to the shock of international travel that had resonated so strongly with me.

September 28, 2017 By: Julie Vandivere

As a scholar of early-twentieth-century literature, I have not found it necessary to address contemporary political issues in my work. However, the election of Donald Trump has forced me to change my thoughts about writing in general and more specifically, about publishing on modernist women writers. In the present academic climate, many who read and teach in the perpetually unpopular field of women writers also contend with heavy teaching loads, difficult family commitments and/or precarious employment.

July 4, 2017 By: Benjamin Tausig

No single word has signaled a repulsion toward Donald Trump—and the impulse to respond to him—like “resistance.” The term emerged immediately after the election, as soon as November 11th (The Advocate: “Count us as part of ‘the resistance’”), 10th (Charles Blow: “Count me among the resistance”), and 9th (Ben Jealous: “The resistance begins today”). One Facebook page, for a group called “Portland’s Resistance,” was launched on the 8th. This last one, presumably created to rechannel a late-night panic, captures something especially visceral. And indeed, it seems that no one ever announced that “resistance” would be the keyword of a new political mobilization. Hillary Clinton did not use the word in her concession speech. There was no massively viral John Oliver clip. Rather, the word seemed to lend itself so well to the coming crisis that, like certain scientific discoveries, it occurred to multiple people independently. Something in the water made its adoption logical.

March 2, 2017 By: Julie Beth Napolin

For the first time in 7 years, I am not teaching full-time. I’m on sabbatical. The morning after the election, there was no place I was supposed to be other than working on my book. I didn’t have to face a classroom and try to digest the election with students, nor did I have to convince them that our conversations were politically relevant. I didn’t have to get my kids off to school and move on with everyday life (I don’t have kids). It was like Johnny Rotten staring cross-eyed into the camera, “noooooo future.” It was just me.

February 10, 2017 By: Kate Macdonald

In January I was teaching speculative and science fiction from the modernist period to show my students how fascism emerges, and how to recognise the ways that literary strategies can instil alienation, fear of the Other, and anti-Semitism and racism. My students were German, and our seminars were held in the north-west German university town of Paderborn, a little east of the Ruhr, where a British Army base

February 7, 2017 By: Melissa Dinsman

In his insightful contribution to “In These Times,” James Gifford takes inspiration from Woolf to state that on or about November 2016 something fundamentally changed (or rather should fundamentally change) in our teaching of modernist studies. That the election marks a shifting moment in the ways in which we, as pedagogues, approach modern literature is a thought-provoking claim

February 3, 2017 By: James Gifford

On November 9th, 2016, I was teaching my last class on Hemingway’s in our time. I had only one North American student in the room, and everyone was silent. It was silence of a kind that my neighbourhood, even deep in the night, never finds.
Print Plus Exclusive

The Limits of Resistance

July 4, 2017 By: Benjamin Tausig

Volume 2 Cycle 2

No single word has signaled a repulsion toward Donald Trump—and the impulse to respond to him—like “resistance.” The term emerged immediately after the election, as soon as November 11th  (The Advocate: “Count us as part of ‘the resistance’”), 10th (Charles Blow: “Count me among the resistance”), and 9th (Ben Jealous: “The resistance begins today”). One Facebook page, for a group called “Portland’s Resistance,” was launched on the 8th. This last one, presumably created to rechannel a late-night panic, captures something especially visceral. And indeed, it seems that no one ever announced that “resistance” would be the keyword of a new political mobilization. Hillary Clinton did not use the word in her concession speech. There was no massively viral John Oliver clip. Rather, the word seemed to lend itself so well to the coming crisis that, like certain scientific discoveries, it occurred to multiple people independently. Something in the water made its adoption logical.

On this blog last February, Julie Beth Napolin noted the already entrenched position of “resistance.” Within weeks of the Inauguration, there was little doubt about its purchase.

But why is this term appealing, as opposed to one of its many near-synonyms? Why not “the rebellion,” “the opposition,” or “the refusal”? I suspect that there is more latent in our collective rhetorical choice than we may at first recognize. What might we come to know about our disdain for Donald Trump, and our intuitive sense of how to react to his administration, by considering the word that so many—even on the otherwise fractured left—so quickly agreed upon? How might a critique of this word help us move strategically forward?

Politics and political movements invariably model themselves after iconic representations, drawing from both media and history. Ronald Reagan advertised many of his policies using metaphors from Star Wars, recent Indonesian anti-development movements have adopted the aesthetics of punk rock, Marcus Garvey cast himself as an African emperor, and a few years ago Thai dissidents borrowed the symbology of The Hunger Games. Such examples can be unpacked in revealing ways. For example, the Tea Party invoked the American Revolutionary War, not only for its aesthetics but for its restaging of an old conflict over sovereignty and federal incursion, which the Tea Party felt itself to be inheriting. The style and models of a movement often map onto its desires.

The anti-Trump resistance (let us call it, after convention, #theresistance) has chosen no historical or cinematic reference nearly so overt. However, the WWII-era French La Résistance comes to mind. That movement is resonant for reasons beyond its name. It was, first and of course, anti-fascist. But so too was it open to professionals; it was not the sort of mobilization that valorized the proletariat or the religiously pious. Everyday bourgeois people, whose lives lacked even the ostensible romance of poverty, could lead it. Moreover, La Résistance, like #theresistance, saw the government as structurally sound, and only temporarily occupied by the Nazis. Because it did not seek dramatic structural reforms, its methods became those of subterfuge and sabotage, not coups. #theresistance now similarly casts rogue bureaucrats and a stubborn judiciary as its saviors. #theresistance is not—and apparently could not be—#therevolution.

It is uncertain whether #theresistance is broadly aware of La Résistance, let alone modeled after it. Nevertheless, the word “resistance” has a long intellectual history that, I would suggest, has embedded certain meanings and methods in its usage. Resistance has, historically, been a poor way of thinking about structural political change. Anthropology was almost obsessed with the word in the latter half of the twentieth century. As K. Sivaramakrishnan has noted, resistance became a popular research topic at a moment in the 1960s when global capital was encroaching on remote communities in South America and Southeast Asia, producing inequity but failing to incite class revolt, as a Marxist reading of history might have predicted. Anthropologists sought to explain this failure without abandoning a more general Marxist interpretation of history. The result was a turn toward “resistance studies,” spearheaded by the ethnographically-derived theories of James Scott. In a series of influential books published in the 1970s and 1980s, Scott examined how peasants “resisted” capitalism not by taking up arms, but by dragging their feet. The “weapons of the weak” were small acts of non-compliance—an extra sick day here, a week of middling effort there. Through such a framework, anthropologists could continue to think about class relations in historical materialist terms. Resistance studies produced some powerful texts, and influenced subaltern studies, among other fields. However, it met its limit when it ceased to be able to conceive of a politics beyond the strictures of class. Resistance always took place on terms set by the hegemon, the master, or the boss. The resistor was always understood to be playing a game determined and even fixed by capitalism and its agents. In an orthodox Marxist view, how could it be otherwise?

In her 2014 monograph, Mohawk Interruptus: Political Life Across the Borders of Settler States, Audra Simpson offered something of a lifeline to resistance studies by proposing a turn toward refusal. For Simpson, refusal—like resistance—signals a refractory posture before a state or other dominant force. But unlike resistance, refusal means denying the most basic terms of engagement between the oppressor and the oppressed. It means insisting on a different game. In Simpson’s ethnographic example, Kahnawà:ke Indians refuse the sovereignty of both Canada and the United States, owing to these settler states’ ongoing failure to honor territorial treaties, some centuries-old, with Mohawk tribes. Thus Kahnawà:ke people may refuse to present U.S.-issued passports at international border crossings, insisting that these documents have no validity in the first place. This may cause great inconvenience, written off as the cost of fealty to a different sovereign truth. But so too does this kind of action offer fresh associative possibilities. Those who refuse point the way toward new modes of political organization, which others may then join. The gambit of refusal is that people might begin thinking about alternative ways of assembling politically, contra whatever system is currently blocking that alternative. Simpson offers refusal as an alternative to liberalism’s putative gift of recognition, which boxes indigenous people into the very trap that resistance studies eventually encountered—playing the game on terms decided by the powerful alone. Through acts of refusal, indigenous people (for instance) cease asking for settler states to grant them visibility at all.

Simpson has recently written about refusal in regard to our current political moment. What she calls “the ruse of consent” is “laid bare in these electoral moments in the U.S.A, when people are starting to point to where they think ‘the facts’ lie—where the origin stories are, and what the sturdiness of those stories is—all motivated by the specious grasp on both ethics and truth-telling by the current regime. These double moves are the conditions as well, for and of refusal.” In other words, the current administration’s remarkable disdain for the truth is merely a less artful retelling of some hallowed, even foundational lies—that Indigenous people consented to the seizure of their land, that African-Americans can become unmarked if they try, that women are fully entitled to their bodies, that economic opportunity is equally distributed, and many more. The decryption of these lies by Donald Trump may remind us of their contingency, and lay the groundwork to refuse them as a basis of our politics.

Colin Kaepernick’s routine refusal to stand for the national anthem before games during the 2016-17 NFL season exemplifies Simpsonian refusal. The anthem is a ritual that hails players and fans as consenting members of a political community. The duration of the song is a period when all disagreements must be laid aside. For the game, it is as much a ground as the turf. Moreover, players must publicly perform their consent, an action that implies something like “I agree to the terms of being American, which are basically honest and true.” Kaepernick’s refusal of this contractual clause, his performative striking it out with a marker, was met with enormous hostility, even by the fans of his own team in San Francisco. Critical responses ranged from grumbling about the quarterback’s ingratitude toward the soldiers who allegedly safeguard his freedom of speech to rants about him being a spoiled brat or even a traitor. Commentator Stephen A. Smith, incensed about Kaepernick’s decision not to vote in the 2016 election, called his actions “shameful” and declared that “everything he said meant absolutely nothing.” Kaepernick, of course, did not disrupt the game itself. The team’s management did not seek to prohibit his protest. To the extent that his refusal was an offense, it was against the lie that Kaepernick understood to be immanent to America as a consensual project. Both kneeling during the anthem and not voting dramatized this lack of consent.

Kaepernick’s refusal was an aural one; that is, he did not listen. Although recognition is almost always theorized in optic terms, non-listening is surely the most common way that people refuse consent in practice. A child’s focus drifts from his scolding parents, undermining not only their words but the basis of their authority; employees’ attention lags during meetings, perhaps displaced by thoughts of disdain for the boss; athletes drown out critical crowds with headphones. Even metaphorically, the ear is primary, as when we refuse the voice of our inner critics. Kaepernick’s refusal was not a refusal to see the other as equal to himself, but to acknowledge the values proscribed by the other as being a condition of possibility for everyday life. Others joined him in his routine protest, first in the NFL, and soon also in college and high school football, as well as other sports. His refusal was plainly associative, and productive of a new sociality. His public gambit spurred others to link themselves to Black Lives Matter and other movements.

In opposition to Donald Trump, the left has decided on resistance, not refusal. It has selected a word that implies a willingness to allow the powerful to set the terms of engagement and debate. We—that is to say, all of us seeking a political community that can oppose the xenophobia and nihilism of the moment—await the signal of tweets, and react, often in the form of an imitation that becomes an echo. Thus we consent. We have also selected a word, a rhetorical emblem, which implies that electoral politics are solvent. We acknowledge the terminal condition of a body politic in which tens of millions of Americans, mostly minorities, cannot vote, and in which untold millions more are discouraged, intimidated, or redistricted to deny their participation, but we nevertheless insist that that body must remain on life-support. Something in the water made “resistance” logical. But perhaps it was merely our reticence.

Academics must confront this problem lucidly, both within our institutions and as people tasked with thinking historically and structurally. How might the opposition to Trump proceed differently if it were grounded in refusal instead of resistance, if we made the difficult decision to not listen when we are hailed to perform our consent? There is no easy answer. Certain benefits and comforts would need to be left on the table, against the grain of the legal, affective, and economic logics of the system, particularly for those of us who, even after Trump’s election, remain relatively safe. Colin Kaepernick’s career may be over, as a consequence of the NFL league owners’ nearly unbroken white-maleness and absolutely unbroken plutocracy. But against racial hygiene and robber barons we cannot drag our feet and hope to win. Thinking with refusal may allow us to understand sacrifice as entailing not only the loss of material privilege, which the political system affords some in #theresistance, but the jettisoning of consent’s lies, and a turn toward a generative, alternative future.