In These Times

February 2, 2017 By: Debra Rae Cohen

In These Times is a space for our community to explore issues of social justice, teaching, and research in uncertain times.

June 6, 2025 By: Harrington Weihl

In the weeks leading up to the 2024 Paris Olympics, coverage was dominated by a number of controversies stemming from the city’s efforts to stage the games: threats of strike from public and private sectors and an attack on rail lines grabbed headlines. But these preliminary and somewhat routine crises were eclipsed by furor over the opening ceremony, which included a runway show featuring drag performers and others staged in the style of a feast.

May 8, 2024 By: David R. Castillo

The deterioration of the information environment in our age of inflationary media has precipitated a crisis of reality: any sort of baseline for what we take to be “facts” no longer exists. Evidence-based information is routinely drowned in a media market that rewards the loudest and most strident voices at the expense of truth and the common good. The powerful AIs employed by social media giants like Facebook (now Meta), Twitter (now X), YouTube, and TikTok have been trained to generate the...

December 14, 2023 By: Rebecca Colesworthy

I have heard proclamations of feminism’s death many times over the years. Nevertheless, it came as a genuine surprise when I encountered it this past July, in an essay on “Sidecar,” the New Left Review blog, by NLR editor Caitlín Doherty. “A decade ago,” Doherty writes of feminism, “a generation of women—now in our late twenties and early thirties—claimed it as a primary political identity, but no longer.” Since then, Doherty argues, feminism has become not a politics so much as a style thanks...

September 13, 2023 By: Charles Andrews

Recently, while sifting through a long and detailed academic book contract, I found a list of items the publisher required me to exclude. A wonderful bullet point mandated that there be “no recipes or formulae or instructions” that “if followed accurately” would be “injurious to the user.” [1] I have enjoyed hearing friends’ reactions to this mandate, several of whom have asked: but, seriously, what is this referring to? Since contracts, much like syllabi, always have ground-rules based on...

June 29, 2023 By: Aimee Armande Wilson

We're all familiar with this scenario: a scholar spends years of her life dedicated to the pursuit of knowledge on a relatively narrow topic, and the reward for this dogged pursuit is the esteem of colleagues and mentions in specialist publications. Then, an event occurs that overlaps with the scholar’s area of expertise. This scholar’s topic now dominates the news cycle. Many would view this as cause for celebration, a chance to share their research with a broader audience. Our hypothetical...

February 16, 2023 By: Lesley Wheeler

I’m sometimes told by people who work outside of universities that being a teacher-writer-editor in an English Department sounds great, and occasionally it is. Yet lately everything “great” about academia sounds ominous: the Great Resignation, The Great Faculty Disengagement, The Great Pause after the Great Pivot. Resignation and disengagement are paradoxical side effects of the profession’s dependence on enthusiasm—employees so dedicated and diligent that they volunteer for unpaid labor. Women...

May 4, 2022 By: Gabriel Hankins

How should modernists think about the current invasion of Ukraine, and the underlying crisis of liberal order, if at all, and what does that have to do with the crisis in historical thinking and legitimation in literary studies more generally? My initial claim in the following is that what we already teach and write, in this centenary of the modernist Wunderjahr 1922, has everything to do with the sudden re-entry of geopolitics into view in 2022. The modernist masterpieces of 1919–1922 were formed and contested one hundred years ago in the matrix of a crisis of liberal order, a crisis that has now returned with only slightly different names, faces, and justifications. That we cannot quite recall this is not only a gap in our understanding of modernist geopolitics, but also a more fundamental failure of historicist reason and legitimation. If we are in fact living through the repetition of certain cyclical patterns of history, ideology, and liberal-imperial order that modernists themselves diagnosed, do we still have the commitment to historicist understanding required to read those problems accurately?

January 6, 2022 By: Laura Hartmann-Villalta

As a scholar of modernism and the Spanish Civil War, I have long been engaged with others’ ideas about engagement—both modernists and scholars of modernism—questioning the intersection of politics and art. As a scholar at the margins of the academy, I have sought to make sense of where my own work might fit, both into the world of scholarship and the wider world in which scholarship takes shape. Now, in my new position as Director of the Engaged and Public Humanities Master’s at Georgetown...

May 26, 2021 By: Samuel Cohen

I teach American literature in the public university system of Missouri, the state whose admission to the union as a slave state caused a national crisis, the state where Dred Scott was judged to have “ no rights the white man is bound to respect,” the state where Michael Brown’s murder turned Black Lives Matter from a hashtag into a movement. My state boasts that it is the birthplace of Rush Limbaugh, who did for talk radio what Rupert Murdoch did for cable news, as well as the place that...

April 22, 2021 By: Alice Kelly

In a striking moment in Joe Biden’s Inaugural Address in January 2021, the new head of state asked the nation to join him “in a moment of silent prayer to remember all those we lost this past year to the pandemic.” This was, he told the millions watching worldwide, his “first act as President.” It was a moment unprecedented in Inaugural Addresses. Biden, in both personally gracious and canny political terms, recognized the need for a moment of collective mourning and remembrance, a small act of commemoration as a necessary part of moving forward as a nation.

March 3, 2021 By: Jennie Lightweis-Goff

Is there any critical concept so abused in our political culture as “emotional labor,” a term seemingly used—like mansplain— to settle scores, to end conversation? Even now, I revise myself. Yes, “wave” language in feminism is more abused, and used to banish the radical histories that produced critique within feminism. Yes, intersectionality is conceptually abused, as a defense or elision of the conservative bona fides of women politicians from Hillary Clinton to Kamala Harris. This wandering away from context seems part of the whole: the rendering of feminism, and feminist language, as an affective and aesthetic position. A personal brand, even.

January 14, 2021 By: Janine Utell

This is about failure: my own failure to think forward, my own failure to see the future. Perhaps this piece can provide an opportunity to reflect on what can emerge from individual failures as well as our field’s reckoning with its wider failures: failure to grapple with racism and white supremacy, failure to support emerging scholars, failure to intervene meaningfully in the dismantling of the university as a site of serious thought and the generation of transformative ideas.

October 13, 2020 By: Cedric Van Dijck

By the time I moved to Cairo to research Forster’s years in Egypt, late in the summer of 2018, I was already familiar with his cabinet of lost artifacts and vanished statues.

May 21, 2020 By: Elizabeth Outka

For the past five years, I have been immersed in research on the 1918-1919 influenza pandemic and the unexpected ways it weaves its way into modernism. My book on the topic came out last October, about two months before a worrisome new illness began to emerge in Wuhan, China. [1] We all want our research to be relevant, to be able to articulate the critical “so what” question we struggle to answer in grant requests and cover letters. But the sudden thrust into an actual version of the sensory and affective climate I’ve been studying for so long has been surreal and unsettling, like a B movie where an author awakes to find her work has come to life. Even as we expose troubling elisions and injustices within the works we analyze, we may still use theory as a buffer between us and the world, and the past as a shield against our present realities. When a radio program recently approached me about an interview on Viral Modernism, they said that their listeners had been overwhelmed by COVID-19 coverage and would find it comforting to hear about a pandemic safely in the distance. I understood what they meant, even if patterns of viral and human behavior threaten to make the past the present.

April 8, 2020 By: Rebecca Colesworthy

Shortly after starting as an executive assistant in development at a nonprofit organization in 2012—my first nonacademic job following a three-year postdoctoral position—I joked to my new boss one night after everyone else had gone home that she should only hire former academics because we have no idea how not to work all the time. She laughed, as I guessed she would. Ever the court jester, I like to think I know my audience and I knew that, while not an academic herself, she could relate. We were there working late together and, from the start, I found that I could identify with the way she identified with her work.

January 30, 2020 By: Damien Keane

A couple of years ago, I published a book that worried the quantitative conception of information, by suggesting that “information” constituted a problem not because it lacked ways of being defined, but because it could be defined at once in so many competing and oftentimes contradictory ways. In the book, I was concerned specifically with radio broadcasting and the wartime literary field; but also, at a methodological level I was not entirely aware of until late in the composition process, with how forms of mediation and needs for remediation had created conditions in which the political charge of description and classification was suddenly, if also temporarily, to the fore. I tried to get at how this seemingly primary issue of definition is, in fact, the product of acts of and disputes about classification through which the “data of culture,” in Lisa Gitelman’s phrase, are put into meaningful sequences and mobilized, used, and managed—a in short, how they are put in formation. [1]

November 21, 2019 By: Anne Raine

When In These Times launched in early 2017, it gave voice to a collective sense of shock, a need to connect scholarship with activism and “engage, engage, engage.” Since then, contributors have offered a range of thoughtful reflections on how to study and teach modernism and modernity in these catastrophic times. But until recently the forum has been unsettlingly silent on the climate crisis—even as temperatures and sea levels continue to rise, record-breaking floods and wildfires proliferate, droughts threaten crops and ecosystems, glaciers continue to melt and coral reefs to bleach, and a million animal and plant species face extinction at heartbreakingly accelerated rates.

August 27, 2019 By: Thomas S. Davis

Austral summer on the Antarctic Peninsula. Eight of us climb out of our zodiac onto the shore of Petermann Island. This place dazzles and overwhelms the senses. The luminous blue icebergs, granite streaked pink with penguin guano, the weakly green cryoplankton spread across the snow. Antarctica is not the white continent of popular imagination. And it isn’t quiet either. The plangent groans of glaciers crawl across the landscape, reverberating through our bodies. Gentoo penguins squawk atop their stone nests, staring helplessly skyward at the skuas eying their young. We are unwelcome, unneeded guests.

April 29, 2019 By: Jonathan Goldman

“We are still learning to be Joyce's contemporaries,” intones Richard Ellmann, the first words of his James Joyce, published in 1959. [1] Sixty years later, Joyce’s most famous book (and second-hardest to read) has become a talking point and prop of two Democrat candidates in the race for the US presidential nomination. Ulysses, over a century since avant-garde magazines started publishing it serially, has been seen trending on Twitter. Have we, have the United States, caught up to Joyce?

March 10, 2019 By: Megan Faragher

When the cold January turned to an even colder February, I would have loved nothing more than to begin teaching Edward Bellamy’s Looking Backward as part of my class on twentieth-century utopian literature. But instead of going to class, I put on my wool socks, three layers of clothes, a winter coat, and snow boots to spend hours standing in the frigid Midwestern climes outside the main entrance of my university, sign in my hands, equal parts exasperation and anxiety in my heart. My colleagues and I were one week into what would end up being the longest faculty strike in the state of Ohio and the second-longest in the history of public higher education in the United States. As I prepared for the chill air and tear-inducing winds, I registered the ironic contrast between the day that was meant to be and the day that was. It turned out that the very question that had led me to formulate the utopian literature class—what possible value utopias can offer us in these troubled, uncertain, undoubtedly dystopian times—had become even more starkly personal than I could have ever imagined. Standing in the cold I recognized that if modernist utopian literature meant to push us towards radical changes that could counter an increasingly broken society, this current strike was going to force us to recognize what those changes might be. What, in fact, are our aspirational politics in higher education in these times and how, practically, do our actions push that agenda forward.

November 2, 2018 By: Patrick Deer

November 2018 not only sees the US midterm elections which will allow the American people to respond at the ballot box to the tumultuous and often exhaustingly toxic political environment during the Trump presidency. It also brings the less heralded and seemingly more distant centenary commemorations of the end of the First World War on November 11th, 1918. Yet another world historical milestone to be overshadowed by a relentless domestic news cycle dominated by a politics of distraction and fear that seems to harness racism, misogyny, economic inequality and outright violence to an unprecedented degree.

July 7, 2018 By: Lisa Mendelman

The information superhighway is paved with good intentions. This thought occurred to me earlier this summer, as I drove the Silicon Valley corridor of 101. “The first survivor of Alzheimer’s is out there,” one billboard declared. “Hello marijuana, goodbye anxiety,” announced a second (the company, Eaze, hand-delivers the substance, à la Instacart). “No data left behind,” avowed a third. Perhaps because I was headed to the ALA to deliver a paper on Edith Wharton’s satire of interwar scientific culture, Twilight Sleep, the third struck me as particularly ludicrous and problematic.

June 18, 2018 By: Séan Richardson

On a recent episode of the Modernist Podcast, I asked “What does precarity mean to you?” My inquiry came in the wake of the strike action that swept the UK in the early months of 2018, as academics became embroiled in an all too familiar fight to protect their working conditions by halting alterations that would see sweeping changes to pensions. I have returned to this question many times since and realized how flawed it is, for precarity is not an epistemological issue, but an ontological one.

January 31, 2018 By: Nick Fesette

Originally constructed in 1817, Auburn Correctional Facility in Upstate New York stands as the oldest continually functional maximum-security penitentiary in the United States. [1] I doubt that its designers would have predicted that 200 years later the US would come to incarcerate more people than any other country in history. We currently make up only 5% of the world’s population, but confine about 21% of its prisoners.

November 20, 2017 By: David Farley

Modernism has always been bound up for me with travel, with politics, and with protest. I got my first passport and traveled to what was then the Soviet Union in January of 1987. It was the dead of winter and the twilight of the Cold War when we visited Moscow, Leningrad, and the Central Asian Republic of Uzbekistan, where the calligraphic beauty of the Islamic design on the madrassahs in Samarkand echoed the ornate beauty of St Basil’s Cathedral back in Moscow. When I returned home, I read for the first time the Anglophone modernist writers whose obscure and difficult texts spoke to the shock of international travel that had resonated so strongly with me.

September 28, 2017 By: Julie Vandivere

As a scholar of early-twentieth-century literature, I have not found it necessary to address contemporary political issues in my work. However, the election of Donald Trump has forced me to change my thoughts about writing in general and more specifically, about publishing on modernist women writers. In the present academic climate, many who read and teach in the perpetually unpopular field of women writers also contend with heavy teaching loads, difficult family commitments and/or precarious employment.

July 4, 2017 By: Benjamin Tausig

No single word has signaled a repulsion toward Donald Trump—and the impulse to respond to him—like “resistance.” The term emerged immediately after the election, as soon as November 11th (The Advocate: “Count us as part of ‘the resistance’”), 10th (Charles Blow: “Count me among the resistance”), and 9th (Ben Jealous: “The resistance begins today”). One Facebook page, for a group called “Portland’s Resistance,” was launched on the 8th. This last one, presumably created to rechannel a late-night panic, captures something especially visceral. And indeed, it seems that no one ever announced that “resistance” would be the keyword of a new political mobilization. Hillary Clinton did not use the word in her concession speech. There was no massively viral John Oliver clip. Rather, the word seemed to lend itself so well to the coming crisis that, like certain scientific discoveries, it occurred to multiple people independently. Something in the water made its adoption logical.

March 2, 2017 By: Julie Beth Napolin

For the first time in 7 years, I am not teaching full-time. I’m on sabbatical. The morning after the election, there was no place I was supposed to be other than working on my book. I didn’t have to face a classroom and try to digest the election with students, nor did I have to convince them that our conversations were politically relevant. I didn’t have to get my kids off to school and move on with everyday life (I don’t have kids). It was like Johnny Rotten staring cross-eyed into the camera, “noooooo future.” It was just me.

February 10, 2017 By: Kate Macdonald

In January I was teaching speculative and science fiction from the modernist period to show my students how fascism emerges, and how to recognise the ways that literary strategies can instil alienation, fear of the Other, and anti-Semitism and racism. My students were German, and our seminars were held in the north-west German university town of Paderborn, a little east of the Ruhr, where a British Army base

February 7, 2017 By: Melissa Dinsman

In his insightful contribution to “In These Times,” James Gifford takes inspiration from Woolf to state that on or about November 2016 something fundamentally changed (or rather should fundamentally change) in our teaching of modernist studies. That the election marks a shifting moment in the ways in which we, as pedagogues, approach modern literature is a thought-provoking claim

February 3, 2017 By: James Gifford

On November 9th, 2016, I was teaching my last class on Hemingway’s in our time. I had only one North American student in the room, and everyone was silent. It was silence of a kind that my neighbourhood, even deep in the night, never finds.
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In Search of Lost Time: Precarious Research in the UK

June 18, 2018 By: Séan Richardson

Volume 3 Cycle 2

On a recent episode of the Modernist Podcast, I asked “What does precarity mean to you?” My inquiry came in the wake of the strike action that swept the UK in the early months of 2018, as academics became embroiled in an all too familiar fight to protect their working conditions by halting alterations that would see sweeping changes to pensions. I have returned to this question many times since and realized how flawed it is, for precarity is not an epistemological issue, but an ontological one. Precarity is affective: a way of feeling and a way of living, not a way of seeing. Precarity is a looming sense of unpredictability that wakes you in the lonely hours of the night. Precarity is a lack of job security that causes you to measure your friends’ successes against your own. Precarity is the anxiety that swells in your stomach as you remain unable to plan for the future. Indeed it is fitting that this article should be included as part of In These Times, because precarity often leaves me wrangling with my schedule to regain control over my time. I struggle to create free time between teaching time, marking time, writing time, reading time, meeting time. The list goes on.

Strikers at the University of Bristol, February 22, 2018. Photo by Chris Bertram.

Fractures: Precarity and Modernist Studies

In typical modernist style, I feel fractured, pulled apart by conflicting priorities as I wade through the PhD process. And the further I tread, the more deeply I am convinced that this sense of fracture is not just a hallmark of modernism, but of modernist studies. To overcome precarity, we are made to feel as if we are allowed to be nothing less than sheer excellence; outstripping our peers appears the only way to succeed in a rampant and unforgiving job market. Yet for all our talks of expansion, of periodicity and interdisciplinarity, modernist studies remains a materially restricted field. There persists a handful of journals where we are recommended to publish our work. I do not need to name them. I know you have already begun listing them in your head. Such restriction exacerbates competition not simply between PhDs and early career researchers (ECRs), but pits those in the early stages of their career against long-tenured academics. Moreover, within the neoliberal academy we are encouraged to forge a personal brand that is strictly disciplinary, so publishing elsewhere is seen as diluting our potential. The lived conditions of the PhD system in the UK are catalyzing this issue. Unlike our American counterparts, who have their own issues to contend with, doctoral candidates in England, Scotland, Wales and Northern Ireland are working within an outdated system predicated on a three-year model. Three years may be long enough to produce a thesis, but within our contemporary market, the thesis is simply the baseline. This revolving door system churns out PhDs, chewing us up and spitting us out before we have a chance to find our feet. In particular, it is incredibly difficult to hone one’s writing style, meaning that many submit their thesis without having published in journals deemed respectable by the modernist community.

Concerns surrounding publication are compounded by issues of access to the very ephemera of modernity. It is no secret that modernist studies fetishizes the archive, with many peer reviews critiquing a lack of archival research that is simply not economically viable for precarious researchers. Though academia has become ever more internationalized, the USA still has a monopoly on the material culture of modernism. Working with vastly different funding models, UK institutions are often unable to secure the equity necessary to keep hold of archival material related to modernism and its afterlives. In recent years the papers of Vita Sackville-West, Kazuo Ishiguro and Ian McEwan, to name but a few, have been shipped to the USA. Though American institutions are doing valuable work to make these materials more widely accessible through scholarships and digitization, academics are still frequently required to travel to the USA to view papers previously held in the UK. For precarious researchers, this is of particular significance. Unable to tap into many of the resources of their tenured colleagues, PhDs and ECRs are frequently forced to self-fund their research trips, investing their unstable wages back into their careers as a potential means of securing full time employment. Once again, the short-term nature of the PhD system in the UK aggravates this issue, with students often only able to undertake one research trip before completing their thesis and finding themselves adrift on short term teaching contracts or fellowships that do not permit any serious research time. Furthermore, trips do not simply present an economic burden, but are made further for those with disabilities, those with caring responsibilities and those unable to travel.

Akin to this, the internationalized yet fiercely unbalanced nature of the academic job market affects precarious researchers’ ability to attend conferences. Once again, many of the conferences that are seen as key to our success as young scholars carving out personal brands are held stateside. This is creating a deep imbalance, whereby those who have the means to rely on savings are able to plough personal funds into conferences with hefty costs attached. Entrenching this issue further is academia’s proclivity for reimbursing students rather than paying costs up front, meaning many are cut off from applying for scholarships at all, especially those who are self-funding their PhDs or currently holding short-term posts. Attending conferences in the UK rarely allows one to circumnavigate costs, as registration fees, hotels, dinners and travel require researchers to have a large budget immediately available to them. When we talk of globalization, transnationalism, internationalism and exchange, we need to ask who these processes are benefitting, and to what end. As it stands, our internationalized market still primarily serves to platform scholars with highly rarefied kinds of cultural and economic capital, creating a divide between those who are researching and the subjects of their research. Look around the conference hall or the management meeting: what kinds of researcher do you see? More importantly, who is omitted? The answer might be an uncomfortable truth, but it is one that elucidates the relationship between precarity and the academy.

State of the Nation: Precarity and the UK

The central concerns of precarity feed off one another. Siphoning our wages into research trips inflates our sense of economic unease. Abstaining from such trips amplifies deep-seated anxieties about not performing to the best of our abilities. On a broader scale, the state of academic wellbeing in the UK reflects these concerns, and this issue is not a new one. In 2014, Academics Anonymous discussed the “culture of acceptance around mental health issues in academia,” while the McPin Foundation stated they were “concerned about the mental health of PhD students.” In 2017, a paper in Research Policy found that PhD students are 2.4 times more likely to develop mental health problems than degree-holders in the general population, while 51 per cent of PhD students suffered from at least two of 12 symptoms that are indicators of psychological distress. We give these conditions a euphemistic name that covers the symptoms and masks the depth of the issue: “Burn-out”. We are burnt-out, we have shone too brightly, used our energy too quickly. These are things we should learn to “balance,” a code meaning “mitigate” or “cover up.” Within modernist studies, anecdotal findings reflect similar concerns. In a survey conducted by the British Association of Modernist Studies (BAMS) and presented at New Work in Modernist Studies in 2017, researchers found that scholars had considered leaving academia for better stability, a suitable work-life balance and greater personal wellbeing. Follow-up case studies collected in 2018 continue to illuminate the depth of the issue: responses show that precarity has exacerbated pre-existing disabilities, deepened feelings of exclusion for migrant scholars and worn self-funded PhDs thin.

Strikers at the University of Bristol, February 22, 2018. Photo by Chris Bertram.

Here it is crucial to note the trenchant intersectional implications of precarity. As a disabled working-class scholar, precarity cuts at my ability to work in multivalent ways: I am not offered paid sick leave to support my mental health condition, I often have to pay for costs up front and delve into my overdraft before I am reimbursed at a later date, I was not able to take paid compassionate leave when a close friend of mine died suddenly last year. Yet as a white scholar without caring responsibilities, I am also steeped in privileges that allow me to navigate academia more easily than many others. I do not have to worry that my stereotypically white name will cause my job application to be rejected, as research has shown scholars of color do, nor do I have to find childcare in a system that consistently does not provide for those with dependents. These issues are replicated at the top level of scholarship. Under 25% of UK professors are female, not even 1% are black, and there are just 54 black women professors. Time and again on the Modernist Podcast, scholars have highlighted how modernist studies in the UK is overwhelmingly comprised of white researchers, a point reiterated by delegates at the University of Oxford’s recent Queer Modernism(s) conference as they discussed the microaggressions, discrimination and feelings of exclusion that researchers of color face. Once again, precarity stitches together the material with the emotional. If scholars speak out against systemic issues, they risk isolation, job opportunities and financial security, yet in not speaking out many are effaced from processes entirely. Once again, precarious researchers find themselves in search of lost time: the hours scholars of color spend carefully crafting job applications compared to their white peers; the hours scholars with caring responsibilities miss at conferences due to a lack of available childcare; the hours working-class scholars labor at part-time jobs to support their studies.

Perhaps I can provide no more elucidating an example of precarity in the UK than an anecdotal instance from a recent conference, in which a long-tenured academic exclaimed to a room full of modernist scholars how wonderful it is that so many ECRs are taking up administrative positions while still producing research that others can draw on. This is not wonderful. It is free labor. And free labor is what the market is hoping to provide. Though there is a dearth of secure roles in academia, there is no lack of short-term teaching posts or part-time positions. These are often designed to squeeze the most out of workers, who shoulder unpaid administrative tasks, office hours and meetings alongside teaching. These expectations weigh heavy on researchers, especially when considering the wide range of other tasks that academia expects one to undertake: conferences, journals, peer feedback, book reviews, edited collections. In the UK, such expectations have been underlined by the government’s introduction of the Research Excellence Framework (REF) in 2014 and the Teaching Excellence Framework (TEF) in 2017, with a further Knowledge Excellence Framework currently being developed. A cause for particular consternation is REF’s focus on academic impact, a nebulous quality that seeks to measure how research has impacted the “economy, society, public policy, culture and the quality of life.” Apparently the impact we have in the classroom is no longer enough. And though measuring impact on society may be self-evident in fields such as medical genetics or patent law, within modernist studies it often feels like a farce. Indeed the REF and TEF are contributing to a wider devaluing of the arts and the humanities in UK academia, with the government hoping to introduce a Gold, Silver and Bronze quality rating system that ties degree subjects to graduate earnings. For precarious researchers impact is a particular problem, as we are expected to undertake yet more unpaid labor to burnish our CVs within an ever more stringently regulated system. It is clear that there is a widening generational divide between scholars, and one that we are still unsure of how to bridge. What is certain, however, is that we cannot continue expecting precarity to be merely a rite of passage for academics. We are losing some of our most brilliant minds to unstable, unsuitable and untenable conditions.

Supporting Precarious Researchers

When it comes to precarity, talk is cheap. In a field so concerned with the power of words, we must also recognize their limits. So what can be done? In the UK, options for PhDs and precarious researchers are limited. Registered as students instead of workers, PhDs cannot strike, while those in precarious labor risk losing their income entirely. And with 34% of academic staff employed on fixed-term contracts in 2016/17, competition is fierce. In turn, it is high time to consider which structural steps can be taken by the discipline to help ease the pressure of precarity on modernist scholars. In the absence of sweeping changes to the state of academia, there are no simple answers, but modernist studies can make changes as a discipline as a means of further supporting precarious researchers. In recent months, it has been heartening to see a growing body of international scholars offer their time to support one another through the Modernist Podcast’s archive share scheme. This shows what is achievable on a local level and leaves the imagination open to what could be achieved with institutional backing. We need to consider options such as targeted shortlists for positions on academic committees, scholarships for minority researchers, changes to the way funding arrangements are handled by academic societies, a more diverse approach to children at conferences, and a deepened sense of academic kindness. The last of these may sound mawkish, but it is crucial if we are to continue supporting those in precarious positions. A book review that savages an ECR may dissuade them from the field entirely, while an offer of a second pair of eyes on a funding bid can be transformative for those just starting out. In all we must recognize the disproportionate effects that precarity has on scholars and make changes to be more accommodating, or else we will see an ever-more homogenized discipline.

This is not to elide the fantastic work that has been undertaken already. Rather, it is a call to arms to continue invigorating our processes as a discipline. Certainly there are many inspirational models we can draw on in order to build a more inclusive modernist studies that supports precarious researchers: the excellent digitization projects of the Beinecke and the Huntington Library, the career training days run by BAMS, the labor of those involved in the Modernist Journals Project and the Modernist Archive Publishing Project, the services of Woolf Online and the Orlando Project, and the fostering of the international academic community by the MSA. Outside of modernist studies, our sister disciplines provide a source of inspiration. The recent introduction of a “Reading Buddy Scheme” by the British Association for Victorian Studies is a fantastic example of how academic societies can continue to foster support for those in the early stages of their careers. For a generation of new scholars, precarity is the watchword most indelibly scratched upon the surface of their careers. Recognizing and reacting to this is crucial if the field is to continue to flourish.

In late 2018, BAMS will be running a second membership survey, hoping in part to collect more data on how scholars are facing, struggling with and overcoming precarity. Collating further information specific to scholars within modernist studies is vital if we are to understand the multifaceted ways in which precarity is working, as well as produce tacit measures to overcome such difficulties. Though there is no swift antidote to the scattershot issues that precarity causes, there are tangible measures that the field as a whole can implement to remedy its symptoms. Most pressingly, we can help precarious workers recover lost time, freeing up hours for rest and research, while ensuring that access to necessary materials and networking opportunities remain economically viable. In doing this, we may begin to answer not just my original question, but quite another entirely: “How can we help one another to overcome precarity in modernist studies?”