The Discipline

March 2, 2016 By: Kate Stanley

"The Discipline" explores untold histories of literary study in the twentieth century. What futures for our discipline do these new pasts make possible?

December 21, 2021 By: Melanie Benson Taylor

My subtitle deliberately echoes Houston Baker’s pivotal monograph, Turning South Again: Re-thinking Modernism, Re-reading Booker T, which—when it was first published in 2001—fundamentally altered the course of Southern studies. Beginning with a primal reorientation around the experiences of Black slavery and incarceration, the New Southern Studies went on to perform a sweeping reevaluation of its terms, tropes, subjects, and geographies. Arguably one of the more exciting developments (for me, at...

October 7, 2021 By: Thomas Sorensen

Literature is a protean phenomenon. Nobody seems quite sure how to classify it. Is it an object, immutable and self-contained? Or is it an event that happens when a self makes contact with a line of letters on a page? Nowadays, critics regard the text primarily as a resource. “There’s a lot of useful knowledge here,” we say, and our job is to show how this knowledge can help us in real life. Recently, I have come upon a fourth option. What if the text were an organ of perception, an extension of the body that structures our muddled, all-too-narrow picture of reality?

May 13, 2021 By: Kate Stanley

What resources can literature from the past offer when confronting the urgent present-moment reality of climate crisis? What function should the humanities classroom serve when the future of human life seems increasingly precarious? Anne Raine’s post, “Modernism, Eco-anxiety, and the Climate Crisis,” helped catalyze these questions for me by challenging us “to find ways to make climate change our job.” I’ve been trying to figure out how to meet this challenge in a course I’m teaching on literature and climate justice.

February 8, 2021 By: Benjamin Hagen

I had not heard of ProctorU software until October 1, 2020 when I noticed that several folks on Twitter, whom I follow for their thoughts on pedagogy, had retweeted and responded to the same upsetting TikTok video I had come across earlier that same day. The video shows a young woman, crying, explaining that she had just failed an online exam not because she had been unprepared but because her professor’s surveillance software flagged her as “talking” out loud while taking the exam.

December 29, 2020 By: Katy Ryan

In 1994, Renaldo Hudson was on death row in Illinois. As we became friends, I knew where I stood in relation to the place where the plan was to kill him. I was not interested in starting a book club there or teaching a class. I was not interested in writing an essay on the literature of resistance.

November 17, 2020 By: Heather A. Love

In 1926, Gertrude Stein delivered the lecture “ Composition as Explanation” to the Cambridge Literary Club at Oxford University (fig. 1). The talk couches a description of her own evolution as an experimental author within a broader discussion of history, culture, and art as a series of distinct “composition[s].”As Kristin Bergen helpfully explains, the “multivocal term” composition at once designates “the dominant mode of daily life for a given period and also the production of those who...

June 8, 2020 By: Todd G. Nordgren

How did people learn to be queer in an era before stable identities, lifestyles, or representations of sexual outsiders were readily available or, for that matter, before they even existed?

February 5, 2020 By: Kate Stanley

In my first stab at drafting an inaugural post as the new editor of this forum, I went the Raymond Carver route, writing “What We Talk About When We Talk About the Discipline” across the top of a blank page. When that imagined dialogue hung fire for several weeks, I ventured greater specificity, replacing “We” with “I.” Pronouncements still unforthcoming, I searched my hard drive for toeholds. What have I talked about when I’ve talked about the discipline? My Documents folders returned zero hits for the phrase “the discipline.” I tried again, deleting “the” from the search, which revealed that I have only ever used the word “discipline” as a verb or an adjective—most often to describe the reading and writing habits and practices of the subjects of my first book (Ralph Waldo Emerson, Marcel Proust, Gertrude Stein, Henry James, and Nella Larsen). This lacuna was perhaps predictable: in my early career as a graduate student and then an untenured assistant professor, I was more concerned (and more comfortable) with proffering granular descriptions of literary activity in my field than with scaling up grand claims about the literary institution my studies were constituting

June 20, 2019 By: Alys Moody

In the Modernism/modernity Print Plus cluster on “ Modernism’s Contemporary Affects,” Claire Barber-Stetson writes probingly of the relationship between the precarious existence of graduate students and early career academics in English and the rise of global modernism. She sees the expansion of modernist studies, of which global modernism is perhaps the signal instance, as “driven­—at least in part—by more pervasive precarity in literary studies as a profession,” and worries about the various challenges it poses to modernism as practiced in English departments. “It threatens,” she writes, “to dilute the term modernism beyond critical purchase, to leave graduate students without sufficient institutional support, and to divert resources from other fields, periods, and movements, including contemporary literary studies.”

December 20, 2018 By: Morgan Day Frank

“If it’s secret and elite, it can’t be good,” intones Luke McNamara, played by Joshua Jackson, the guy from The Mighty Ducks and Dawson’s Creek, in the final moments of the now forgotten movie, The Skulls (2000). The line is presented as a hard-earned revelation. Though McNamara, a scholarship student at Yale, is at first seduced by the secret society Skull and Bones, taking a vertiginous journey into its hidden world of power and luxury, he eventually comes to the sobering realization, after surviving a series of near-fatal altercations with its leaders, that the society’s anti-democratic tendencies “can’t be good.” The fact that such a banal revelation is presented as a revelation at all suggests the exhaustion of this bit of common sense. We’ve become tired—as worn out as McNamara is in the scene—of the lesson that secret society stories teach, the lesson that exclusive student organizations are nefarious while the universities that house them are meritocratic and transparent.

October 3, 2018 By: Angus Connell Brown

When a convener adds Things Fall Apart (1959) to their syllabus something strange happens. If all goes well the class will read Chinua Achebe’s novel together, discussions will grow around the colonial history of Nigeria, and textual details will emerge from their conversation. Two systems will touch: context and close reading will intersect. The imperial damages and fugitive traditions of world history will come into contact with the New Critical leftovers of contemporary criticism. What’s...

July 4, 2018 By: Lavelle Porter

The epigraph implies origin. As a literary device it often announces source material for a text, and it is a place where, presumably, the reading experience begins. The epigraphs I have placed above are modeled after the form that Samuel R. Delany uses for his 1995 novella “Atlantis: Model 1924,” which has two literary excerpts at the beginning of each chapter. [1] Four of the five chapters of “Atlantis: Model 1924” contain epigraphs from Robert Hayden’s poem about the trans-Atlantic slave trade, “ Middle Passage.”

April 11, 2018 By: Rachel Sagner Buurma and Laura Heffernan

From this day forward, every time you see the name Roberto Busa invoked as a—or the—founding scholar of either quantitative or computational method in the humanities, we want you to mentally search and replace with another name: Josephine Miles.

January 4, 2018 By: Kate Stanley

What can the acknowledgements page of an academic book reveal to us about the discipline of literary studies? Scholarly acknowledgment is often characterized by the special fulsomeness of its intimate enumeration of gratitude. It’s easy to experience a kind of vertigo when moving from the cozy intimacy of these expressions of thanks to the rigorous delimitations and impersonal critical surveys of the introductory material that follows. What would it mean to close the gap between these modes—to uncordon acknowledgment from prefatory convention so that it infuses more overtly within a monograph’s critical investigations? How might the work of denoting scholarly debts extend beyond a demarcated page to shape the sensibility of a book as a whole?

August 30, 2017 By: Séan Richardson

In the Spring of 2016, I received confirmation that I had been awarded funding to undertake doctoral study that coming October. Overwhelmed, I physically jumped for joy, promptly thumping my skull on the shelf that rested shortly above me. Usually, we bang our heads due to frustration brought about by inertia, but I think about this literal knock as a transitional moment, one which allowed me to cross the battle lines drawn by my desk, seceding from the administrative camp and joining the ranks of graduate school

June 8, 2017 By: Sara Bryant

An early letter from Willa Cather to Zoë Akins in 1914 consists almost entirely of blunt feedback to the aspiring writer. Some representative lines, "This story, my dear Zoe is written to be smart. . . . There’s either got to be real feeling in a story, or an intellectual interest of the highest order. . . .

March 15, 2017 By: Christopher Findeisen

In Mary McCarthy’s 1952 academic novel The Groves of Academe, the protagonist Henry Mulcahy is let go from Jocelyn College, a self-described sanctuary of academic freedom in a world haunted by the specter of Joseph McCarthy. The facts of the matter are undisputed: Mulcahy writes an article for Marxist Quarterly about dialectical materialism in James Joyce, donates money to the Henry Wallace campaign, attends a meeting given in support of dissenting political opinions, and then is informed by his employer that his contract with the college will not be renewed.

December 1, 2016 By: Mark Cooper

As we completed our book on the US research university amidst the political tumult of the last several months, we resisted the urge to add laments, policy recommendations, or vision statements to the growing pile. Instead, we sought to reframe familiar arguments about the university by calling attention to its media, which are so often looked past (or through) by critics of higher education.

May 26, 2016 By: Jonathan Goodwin

Laura Heffernan’s introductory post describes work being done in what she calls the “new disciplinary history.” I have an interest in using quantitative methods to practice disciplinary history. In this post, I explore some of these methods using the archives of Modernism/modernity. The quantitative analysis of a journal has a long history. Sociologists of science, for example, have long used citation patterns to reveal the disciplinary structure of a field.

March 2, 2016 By: Laura Heffernan

In the Spring of 2001, while a graduate student in Philadelphia, I inherited the instructorship for a Temple University continuing education course called, accurately if awkwardly, “Books You Wish You’d Read.” Everything about this gig screamed “easy money,” starting with the course title’s modest past perfect promise — no one, it seems, was expecting me to transform adult students into readers of the classics; all I had to do was turn a few classics into books they had read.
Print Plus Exclusive

Football University

December 1, 2016 By: Mark Cooper

Volume 1 Cycle 3

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By Mark Cooper and John Marx

As we completed our book on the US research university amidst the political tumult of the last several months, we resisted the urge to add laments, policy recommendations, or vision statements to the growing pile. Instead, we sought to reframe familiar arguments about the university by calling attention to its media, which are so often looked past (or through) by critics of higher education. To ask, that is, not only what kinds of knowledge universities provide and how that knowledge is or should be valued, but also whom they address, by what means, and with what consequences  It turns out that manifold media engagements called our universities into being and guided their development. Accordingly, a university capable of thriving in the present requires attention to how it informs--conveys knowledge and gives shape to--its various audiences. Football provides one case in point.

First Football Game Played at the University of Oregon, 1894. 

Although central to the college experience for many, football is typically presented as antithetical to the university’s educational mission. In truth, this familiar opposition belies a complementary relationship. Unlike the German and English institutions that provided their prototypes, the burgeoning US research universities of the late nineteenth century had no ready market for their credentials: neither government service nor the traditional professions required then. To promote their efforts and build their student bodies, American universities relied on mass media. Illustrated weekly magazines such as The Saturday Evening Post, Munsey’s, and Cosmopolitan spread the message that college offered upward mobility. It also promised a good time. “The single most important change in American higher education at the end of the nineteenth century,” explains educational historian John Thelin “was that college-going became fashionable and prestigious.” Turn-of-the-century media depicted a fascinating student lifestyle that had football at its core. It is a simplification, but not an unwarranted one, to observe that football built the modern American system of higher education.

Football not only attracted students but also structured arguments about the university’s mission and who should determine it. The game and all its trappings made sense of “college” at a moment when the curriculum was unlikely to do so. By the end of the nineteenth century, many universities had adopted an elective system. Any two undergraduates might take two almost completely different sets of classes, and those classes competed with each other for enrollments. Harvard, the standard-bearer for this approach, reduced subject requirements in stages through the 1870s and 80s. By 1897, it required only a year of rhetoric. As Harvard’s new president in 1909, Abbott Lawrence Lowell spoke for many on the faculty who hoped to reverse this trend. They began by adopting a system of majors. Nationally, schemes for accommodating student choice within majors and general education requirements soon prevailed. Students needed such rules, University of Wisconsin President Glenn Frank explained in a 1926 interview, to avoid narrowness that “destroys perspective” and to cultivate “an ability to correlate the knowledge gained in the specialist’s field with the other facts and phases of life.” To illustrate, Frank seized the obvious example: “One reason why football attracts so much more of the undergraduate’s attention is that a football game is a vital, dramatic whole.” As consensus emerged that undergraduates needed administrators and faculty to structure their educational programs, the rival and paradoxical model for such a unifying program was clear. At the University of Chicago, which had built itself on its football reputation as much as its academic one, 1920s general education advocates pitched their “New Plan” as a football alternative. University president Robert Maynard Hutchins argued that abolishing the sport would “confirm the pioneering reputation of the university and in one stroke do more to make clear what a university should be than we could do in any other way.” From this point onward, academic and athletic branding could appear as mirror images, as if attention to the former could set right the distortions of the latter and, conversely, as if the audience-organizing power of the sport modeled the ambition of general education.

Although football roughly paralleled the trajectory of the elective system in increasing attention to professional management of student choice, the sport clearly compelled larger audiences. In the 1890s, students themselves largely organized the Saturday afternoon game, which also connected them with returning alumni. By the 1920s, universities had transformed student-generated symbols and rituals into official campus culture, thereby making them available for wider usage in recruiting and marketing. School colors and mascots became official colors and mascots. Officially sanctioned college songs and societies, yearbooks and festivals supplemented and sometimes replaced outright their student-made precursors. Where “student managers” and alumni donors once ruled college sport, professional coaching staffs and powerful Athletic Directors held sway. Universities constructed giant stadia. Penn and Harvard launched a decades-long construction boom at around the turn of the century with structures capable of holding 40,000 fans. Yale upped the ante in 1914 with the 70,000-seat Yale Bowl. Yale’s enrollment, including professional schools, then totaled around 3300 students. A wave of big stadium construction followed nationwide. Meanwhile, various media extended the game’s audience-organizing power beyond the stadium’s stands. Historian Michael Oriard credits the daily press with transforming football into a national sport, which also sold papers. Radio quickly joined print. Advertisements for radio sets featuring listeners tuned to football appeared as early as 1923, and NBC radio covered the Rose Bowl in 1927 when it emerged as the pioneering national commercial broadcast network. Meanwhile, at the movies college football provided a newsreel staple, and scores of feature-length musicals, dramas, and comedies centered on the sport. Time put “Football’s Public” on its cover not once but twice. As a cross-platform mass media phenomenon, college football lent its patterns to--that is, informed--national culture.

University of Pennsylvania’s Franklin Field upon Completion in 1922.

Football crowds were not only larger than classroom audiences, they were also better organized. General education planners proclaimed similarly broad, and much loftier, aims, but they struggled to deliver on anything like football’s scale. Columbia College Dean Herbert Hawkes, for instance, felt requiring a course in Contemporary Civilization would make each student a “citizen who shall be safe for democracy.” Yet no two schools’ students performed general education in precisely the same way. There has never been a common curriculum uniting the nation’s universities. Instead, our postsecondary education system is knit together by an abstract measure of time spent—the Carnegie unit. The peculiar mirroring of football and curricula despite their differences, as if the audiences each addressed were not simply overlapping but should be in some sense the same, bespeaks a persistent rejection of the university’s reality as a media maker. American universities have always relied on football crowds as well as course enrollments; one is not more essential to the enterprise than the other. Nor have syllabi and football games ever been aspects of a singular address to the same audience: universities have always worked across media, the better to empower and connect myriad demographics.

Remarkably, football’s early twentieth-century cooptation by professional staff did not alienate students. They continued to see themselves as key participants in the audiences orchestrated by media professionals. That remains the case almost a century later, even after network television contracts have sorted universities into greater and lesser football schools and Title IX has recast college athletics as a space of political contestation. Witness a November 2015 tweet featuring a photo of some thirty black University of Missouri football players, a quote from Dr. Martin Luther King, and the declaration: “We will no longer participate in any football related activities until President Tim Wolfe resigns or is removed due to his negligence towards marginalized students’ experiences.” University President Wolfe resigned two days later, leading The Chicago Tribune to marvel at “The Power of a Football Strike,” Time to proclaim “Missouri President Toppled by the Power of the Student Athlete,” and ESPN to make the team a 2016 winner of the Stuart Scott ENSPIRE Award. The headlines overlooked the newer medium of Twitter for the message of football’s commanding presence as an established media power. Nonetheless, the Mizzou incident demonstrated conclusively that the right students with the right cause at the right time could use media channels open to them to reappropriate football and precipitate dramatic change. The academy's century-long media history offers many such lessons.