Primitivisms in Dispute: Production and Reception of the Works of two Brazilian Artists in Paris in the 1920s
The condition of Paris as the main artistic capital from the end of the 19 th to the mid-20 th century caused it to attract an expressive contingent of foreign artists, and among those, dozens of Brazilian artists who were attracted by what was seen as the world capital of arts [1]. They encountered, however, an extremely competitive universe, in which national origins were important components to recognition. As mentioned by Michele Greet, the participation of Latin-Americans in the Salons de...