[T]he interface brings with it strong messages. —Lev Manovich [1] During the early period of her work, from her Imagist poetry until around 1927, H.D. experimented with an array of real and imagined techniques for seeing into, casting light onto, and gaining access to otherwise obstructed areas of knowledge and history. Through the artistic affordances of what she variously called the “over-mind” consciousness, “a special layer or stratum of thought,” “a state containing past and future,” and...