Maus, Modernism, and the Mass Ornament
Spiegelman’s Low Modernism A seemingly minor episode in Françoise Mouly’s biography holds special significance for the intersection of comics and the avant-garde during Art Spiegelman’s early career. In 1975, having arrived in New York with only $200 in her pocket and eager to improve her English by reading comics, Mouly had a part in Richard Foreman’s play Pandering to the Masses: A Misrepresentation, performed by his Ontological-Hysteric Theater at 491 Broadway. Despite her shaky command of...