© 2020 Johns Hopkins University Press Sam Rose’s compelling new book Art and Form begins with the observation that modernist formalism has suffered severe blows to its reputation since its heyday in Clement Greenberg’s aesthetics, but argues that many of its critics have been attacking straw men. The supposed doxa of formalist aesthetics—that there is an autonomous realm of aesthetic experience, that this realm is radically separated from the world and available only to the sophisticated, and...

About the Authors This article was originated by Davidson College class of 2011 students in a collaborative research seminar on “Modernism, Magazines & Media.” Rachel Andersen, Zoe Balaconis, John Evans, Lisle Gwynn, Hamilton May, Josh Parkey, Susan Ramsay, Danny Weiss, and Liza Winship conducted the initial research and wrote the first full drafts. After the seminar, Anderson and Balaconis received a grant to investigate the Contempo Papers at the Harry Ransom Humanities Research Center in...