December 15, 2022 By: Allan Pero

“What is a ruin but Time easing itself of endurance? Corruption is the Age of Time. It is the body and the blood of ecstasy, religion and love.” Djuna Barnes, Nightwood “The carnival was petering out in a gloomy banality. Change was imminent in every direction. Why not make a clean sweep of the old life and, escaping to some strange new existence, create a fresh illusion of pleasure?” Compton Mackenzie, Carnival Camp has a rather curious relationship to centenaries and to commemoration. It is...

February 1, 2017 By: Ria Banerjee

Queer Bloomsbury is a book in two parts, and as such, evokes two different responses. “Part One: Ground-Breaking Essays” consists of lightly-edited reprints of essays by Carolyn Heilbrun, Christopher Reed, George Piggford, Bill Maurer, and Brenda Helt ordered chronologically from Heilbrun’s 1968 “The Bloomsbury Group” to Helt’s 2010 “Passionate Debates on ‘Odious Subjects.’”

February 26, 2016

Volume 23, Number 1, January 2016 Special Section: Camp Modernism Introduction by Marsha Bryant and Douglas Mao The Sexual Objects of “Parodistic” Camp Scott Herring Camp, Modernism, and Charles Henri Ford Alexander Howard Christopher Isherwood and the Limits of Camp Chris Freeman Camp Orlando (or) Orlando Madelyn Detloff Lady Macbeth Goes to Hollywood Melissa Bradshaw A Fugue on Camp Allan Pero Buenos Aires Bohème: Argentina and the Transatlantic Bohemian Renaissance, 1890-1910 Brian Bockelman...