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In Little Magazine, World Form, Eric Bulson issues this maxim: “When it comes to the little magazine, form is material, material is form, and the analysis of one necessarily involves factoring in the other.” [1] In this piece I explore the issue of raw material availability through a transnational framework. How might directing our attention to the paper and fuel shortages in the British Commonwealth in the 1940s enliven the debates over modernist aesthetics in little magazines? More broadly, I...
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