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Initially hailed as an ur-text for feminist scholarship upon its first reprint in 1973, Charlotte Perkins Gilman’s “The Yellow Wall-Paper” (1892) has undergone a significant historicist reevaluation, beginning in the 1990s, which condemned the story on behalf of its author’s investments in eugenic feminism, the view that women’s reproductive roles should be weaponized as a tool of white supremacy through the enforcement of “racial hygiene.”
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