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In the autumn of 1941, David Jones is carving “bison in the caves of ice” into a hurried single-page fragment, one of the early “experiments” which would, a decade later, yield his late modernist epic poem The Anathemata. Before the final manuscript’s publication in 1952, both the bison and their ice caves will disappear from Jones’s drafts, their meltwater pooling in the footnotes where Jones anticipates the end of the world:
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