Peer Reviewed
Print Plus Exclusive
What if global modernism is a “selective tradition” that through its critical predilections and textual investments creates a world in its own image? What if, as a result, it completely misses the bigger story of global culture in the last four decades: namely, the persistence and development of realism? And, what if, finally, in order to both understand and critique the rise of global capitalism and its deeply consequential cultural effects a critical re-tooling is necessary, away from cultural ambivalence and toward the structural inequalities of social class?
