Volume 33, Issue 2, April 2026
Conservatism as Modernism: The Aesthetics of Tanizaki Jun’ichirō’s In Praise of Shadows in Global Context
Brian Hurley
More Than Just Noise: The Disciplining and Empowering Effects of Noise in Virginia Woolf’s Mrs. Dalloway and Millen Brand’s The Outward Room
Angela Frattarola
New American Review, Mediating Modernism, and the “Big Little Magazine”
James Baxter
Literature, Mass Culture, and Magazines: Vera Caspary and the Re-Mapping of the Mid-Twentieth-Century US Literary Field
Erin A. Smith
Market Texture: The Art of Genre Fiction
Chris Gortmaker
Deathlike Life and Impossible Futures in Elizabeth Bowen’s The Last September
Alexandra Bennett
The Science of Skullduggery: Mindreading, the Narrative Ethics of Opacity, and the Faulknerian Idiot in The Hamlet
Jesse Miller
Music Drama Mediated: Thomas Mann on the Literary Wagner
Adi Nester
Book Reviews
Daniel Wright
The Grounds of the Novel
Paul K. Saint-Amour
Richard Barlow and Paul Fagan, eds.
Finnegans Wake: Human and Nonhuman Histories
Enda Duffy
Kimberly Quiogue Andrews
The Academic Avant-Garde: Poetry and the American University
Virginia Jackson
Miya Qiong Xie
Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia
Satoko Kakihara
Kristin Grogan
Stitch, Unstitch: Modernist Poetry and the World of Work
Keegan Cook Finberg
Sarah Gleeson-White
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion
Donna M. Campbell